The historic recording - Plus nine new previously unreleased superstar songs
We couldn't have done this without: Joe Adams, Peter Asher, John Branca, David Braun, Michael Brokaw, Bob Brown, Bonnie Bruckheimer, Barbara Carr, Bob Cavallo, Candy Cole, Roger Davies, Michael Dilbeck, Frank DiLeo, Steve Fargnoli, Peter Fletcher, Sandy Gallin, Nelson Hayes, Barry Josephson, Claire Kohler, Ira Koslow, Jon Landau, Larry Larson, Martha Luttrell, Tommy Mottola, Jack Nelson, Patrick Raines, Gail Roberts, Mark Rothbaum, Lindsay Scott, Gary Stiffelman, Frank Weber, Malcolm Wiseman, David Wolff and Walter Yetnikoff.
A special thanks to the following people and organizations for graciously donating time and material to the "USA for AFRICA" project: 3M Company: Larry Drohman; AC/DC Lighting; Nancy Agli; Jack Albrecht; A&M Recording Studios: Dave Alpert, Herb Alpert, Mike Ashkins, Ken Dean, Dub Edwards, Benny Faccone, Gil Friesen, John Guerra, Don Hahn, Clyde Kaplan, Gary Mannon, Frank Morgan, Jerry Moss, Al Rodriguez, Joe Rodriguez, Bill Taylor, Mimi Thomas, Don Walker; AME, Inc: Steve Terry; American Federation of Musicians; American Federation of Television and Radio Artists; Ampex Corp.; Dan Andresan; Anheuser-Busch Companies, Inc.: Donna Blackwell; Arnie; Audio Effects; Audio Intervisual Design Systems; Audio Rents; Audio Services Corp.: Matt Cokee, Michael Hull; Automated Studio Lighting: Jim Comorree; Avon Rent-A-Car & Trucks: Maury Silver; Background Engineers: Dan Goldich, Ares Ram; John Barnes; Paula Batson; Beverly Hills Juice Co.: Dave Ott; Bexel Corp.: Hopi Brooks, Scott Lampert, Richard Kinney, Mark Marcum; Brockman Enterprises; Richard Bomersheim; Burns Audio; Carlos 'n Charlie's: Bernice Altschul; James Cassell; Chapman Studio Equipment; Cine-Pro: Steve Carrillo; Cliff Typographers: Karen Kanar; Bill Cohen; Contemporary Services: Fred Bailey, Jerry Crutcher, Anthony Davis, Dave Davis, Joe Gormaloy, Tom Halloran, Warren Kaye, Mark Parsons, John Stone; Doug Dana; Ellan Dashev; Design FX Audio: Susan Diamont; Digital Dispatch Co.; Directors Guild of America; Dosters Security Services: Bobby Adams, Kim Bragg, Allene Carter, Budda Carter, James Davis, Caroline Dorsey, Lymann Doster; Marcos Gastelum, Cheryl Hamilton, L. Jones, Monroe Mabon, Tony McKinney, Art Sewell, Joe Spinuzzi, Xavier Steen, Linda Williams; Sam Drummy; Marcel East; Suzanne Edgren; Ellis Mercantile; Environmental Landscape Design: Bluma Bluebond; Expendable Supply Store: Buzz Martin; Jeff Fectau; Federal Express: Brandon Davis, Mary Stettler; Dana Ferris; John Field; Fleischman Hiller: Mark Grossman; G2 Graphic Service: John Beard, Pamela Beard; Cathy Garfield; Marc Gilmartin: James Goforth; Golden Nugget: Steve Wynn; Ronni Goldstein; Wendy Goldstein; Golin-Malley Productions: Craig Golin and Howard Malley; Bruce Golin; Lance Golin; Diane Gordon; Graphic Arts Systems: Bob Hutchinson; Great American Market: Joe Tawil; April Grebb; Greene, Crowe & Co.: Charlie Fernandez, Kevin Hayes, Larry Jandrow, Diane Stafford, Keith Winikoff; James Hajdukiewicz; Hecht Custom Photo: Chris Hecht; Larry Heider; Robert Hilburn; Hollywood Coffee Service: Fred Bass; Immaculate Heart High School; John Jenkins; Louis Johnson; Bob Keyes; Heidi Kim; The Klages Group: Tim Anson, Brian Burton, Ernie Cox, Bob Dickinson, Penney Dodson, Lisa Gilhausen, James Gormias, Dave Marrot, Erick Marstons, Mark Melchiorre, Diana Randall, Joe Rigoli, Dennis Rudge, Tony Ward, Debbie Woelfel, Lee Klemmer; Kragen & Company: Linda Bergener, Lynne DeBernardis, Sotero Diaz III, Joseph Geus, Damon Griffin, James Holloway, Lisa Kelsey, Nancy Marcussen, Antony Maricevic, Endi Maricevic, Greg McMickle, Robert Mozejewski, Priscilla Prestwidge, Jacque Wagnon, Ken Yates; Krajian Advertising: Leon Krajian; Ken Lay; Leed's Musical; Dave Levisohn; Gloria Levisohn; Life Magazine: David Breskin, Cheryl McCall; Lighthouse Studio: Eduardo Fayad; Lion Share Studios and Staff: Jay Antista, Paul Bassett, Larry Fergusson, Tom Fouce, Khaliq Glover, James Goforth, Joel Jauregui, Patrice Kilby, Peg Needleman, Steve Schmitt, Rowena Tauber, Howard Weiss, Terry Williams; Macey Lipman; Anka Maricevic; Tony Marienthal; Mason Badge: Al Freedman; George Massenburg; John Mayan; Paul McKenna; Brian McManus; Tom Meleck; Mike Melvoin; Mary Jo Mennella; Devera Metter; Mole-Richardson Company of Hollywood Lighting: Larry Parker; David Morse; Peter Morse; Music Express; Nagel Nursery: Hans & Anneleisa Nagel; Doug Nelson; Susan Nessanbaum; Roger Nichols; NIKE; Oberheim: Marcus Ryles; Ron Oberman; Ocean Way Recording; Ted Conroy; Omega Studios: Ken Dodge; Wayne Orr; Pacific Video: Steve Schiffren; Palacio Video Engineering: John Palacio, John Palacio, Jr.; Cheryl Pappas; David Partin; Pepsi, USA: Ken Ross; Bob Perkins; Photo Image, Inc.: Jim Holder, Alice Lumley; PIP (Sunset and La Cienega): Chuck Jordan; Bob Pittman; The Post Group: Joan Adler; Chris Alsup, Arnie Chodorow, Richard Cueta, Helen Davis, Dave Fishbein, Thomas Garelick, Meryl Lippman-Perutz, Charlie Randazzo, Linda Rheinstein, Maury Rosenfeld, Mark Wells, John Williams; Bill Prestwidge; Prop Services West: Frank Stepherson; Protection Services Company: Leon Cole; Quantity Photos: Evelyn Mann; Hector Ramirez; Record One: Brian Campbell, Val Garay, Arthur Kelm, Dub Maitland and Michelle Zarin; Rentals West: Dick Siegel; Richard Photo Lab: Richard Kung; John Richardson; Brenda Richie; John Robinson; Rolling Green: Tom Dahlberg; Rolling Sound Services: George Goen; Rose Royce of Holland: Maya Tamura; Glen Rosenthal; R&R Express; Scenic Express: Kevin Gadd; Shelley Selover; Afrila Shirb; Show Biz Enterprises: Yuri Mansdorf; Alan Sides; Tamsy Smith; Bruce Solberg; Someone's in the Kitchen: John Abrahams, Kenneth Altman, Peter Bott, Joe Douglas, Patrick Dubray, Barbara Harper, Ken Harper, David Hayhurst, Michael Hollister, Jerry Huffman, Bob Jackson, Steve Jaffee, Rich Jones, Morag Karius, Peggy Kranz, Michael Landfreid, Jeff Meshel, Richard Owen, Janice Padwa, Star Phifer, Laura Piening, Joanne Roth, Brian Russ, Carol St. Ama, Tom Stack, Cameron Teufel, Gail Teufel, Margaret Toll, Sharon Trocki, Abdoulaya Soumarr; Sound Source Audio Rentals; Sylvia Surdu; Synclavier; TechniGraphics: Irving Adler, Dan Farrington; Patti Tessel; Jimmy Thudpucker; Dallas Trbovich; Tom Trbovich; Tritonics: Bob Sofia, Dale Ann Stieber, Chuck Weiss & Garry
USA For Africa (United Support of Artists for Africa) are already delivering services to the most seriously-affected African nations. Agencies will be asked to provide a list of those items which are needed for them to complete their tasks; USA for Africa will then obtain the items and deliver them to the agencies. Under this system, USA for Africa will use its monies for direct assistance, rather than agency overhead.
The 12 most seriously-affected countries in Africa: Angola, Burkina Faso, Chad, Ethiopia, Ghana, Mali, Mauritania, Mozambique, Niger, Somalia, Sudan and Uganda. We may not be able to solve all their problems tomorrow, but we will try. We can't not try.
WHAT YOU CAN DO:
1. Buy the single, album, video and related USA for Africa merchandise. If you buy a sweatshirt or t-shirt, wear it. Whatever the medium, the message remains the same: people need help.
2. Make a donation. You can contribute directly to the USA for Africa foundation at:
6420 Wilshire Blvd., 19th Floor
Los Angeles, CA 90048
USA FOR AFRICA WILL USE THE MONEY TO COMBAT HUNGER IN THE U.S. AND AFRICA.
3. Organize an event - a car wash, a bake sale, a garage sale - and raise both money and awareness. Host a party where guests are invited to make any contribution they can afford; urge guests to have their own parties.
4. Work within your school, church or civic group. You can keep people informed, invite expert speakers to address your group, encourage your local school to create an African Development Day, form a USA for Africa task force in your community. Use your imagination - everything helps.
5. Ask local media - newspapers, magazines, radio and television stations - to help keep the hunger problem visible. Ask local businesses to contribute money, time, personnel, equipment or facilities needed for USA for Africa events. Don't give up! Suffering in Africa and elsewhere won't end overnight; neither should anyone's efforts to help.
6. For further information, please write:
Marty Rogol
Executive Director U5A for Africa
1112 N. Sherbourne Dr.
Los Angeles, CA 90069
(P) © 1985 United Support of Artists for Africa
All rights reserved.
WARNING: Copyright subsists in all recordings issued under this label. Any unauthorised reproduction, hiring, lending, rental, broadcasting, public performance, copying, or re-recording in any manner whatsoever prohibited & will constitute infringement of such copyright and will render the infringer liable to any action at law. In case there is a perception institution in the relevant country entitled to grant licences for the use of recordings for public performance or broadcasting, such licences may be obtained from such institution.
CD Issue Notes:
Distributed, manufactured and marketed by PolyGram Records Inc. N.Y, N.Y.
The Compact Disc Digital Audio System offers the best possible sound reproduction - on a small, convenient sound-carrier unit. The Compact Disc's superior performance is the result of laser-optical scanning combined with digital playback, and is independent of the technology used in making the original recording. This recording technology is identified on the back cover by a three-letter code.
DDD = digital tape recorder used during session recording, mixing and/or editing, and mastering (transcription).
ADD = analogue tape recorder used during session recording; digital tape recorder used during subsequent mixing and/or editing and during mastering (transcription).
AAD = analogue tape recorder used during session recording and subsequent mixing and/or editing; digital tape recorder used during mastering (transcription).
In storing and handling the Compact Disc. you should apply the same care as with conventional records. No further cleaning will be necessary if the Compact Disc is always held by the edges and is replaced in its case directly after playing. Should the Compact Disc become soiled by fingerprints, dust, or dirt. it can be wiped (always in a straight line, from centre to edge) with a clean and lint-free, soft, dry cloth. No solvent or abrasive cleaner should ever be used on the disc. If you follow these suggestions, the Compact Disc will provide a lifetime of pure listening enjoyment.
Printed in U.S.A.
Compact Disc Digital Audio
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