Nine Lives (1986) - Bonnie Raitt
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Featuring » |
Bonnie Raitt
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Tracklisting » |
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No Way To Treat A Lady Running Time: 3:52 Comments: Recorded and Mixed at The Complex, West Los Angeles, Spring, 1986. Digitally recorded on the Mitsubishi X-850 32-track Special thanks to Doug Buttleman and Yamaha International Corp. Max Carl appears courtesy of MCA Records |
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Runnin' Back To Me Running Time: 4:16 Comments: Recorded and Mixed at The Complex, West Los Angeles, Spring, 1986. Digitally recorded on the Mitsubishi X-850 32-track Special thanks to Doug Buttleman and Yamaha International Corp. |
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Who But A Fool (Thief Into Paradise) Running Time: 4:23 Comments: Recorded and Mixed at The Complex, West Los Angeles, Spring, 1986. Digitally recorded on the Mitsubishi X-850 32-track Special thanks to Doug Buttleman and Yamaha International Corp. Max Carl appears courtesy of MCA Records |
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Crime Of Passion Running Time: 4:19 Comments: Recorded and Mixed at The Complex, West Los Angeles, Spring, 1986. Digitally recorded on the Mitsubishi X-850 32-track Special thanks to Doug Buttleman and Yamaha International Corp. Max Carl appears courtesy of MCA Records |
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All Day, All Night Running Time: 4:01 Comments: Recorded and Mixed at The Complex, West Los Angeles, Spring, 1986. Digitally recorded on the Mitsubishi X-850 32-track Special thanks to Doug Buttleman and Yamaha International Corp. Max Carl appears courtesy of MCA Records |
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Stand Up To The Night Running Time: 4:42 Comments: For the Atlantic Releasing File EXTREMETIES Recorded at Tyrell-Mann Studio, Los Angeles. Mixed at Ocean Way Studio, Hollywood. |
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Excited Date Performance: 1983, Running Time: 3:11 Comments: Recorded and Mixed at Shangri-la Studios, Malibu. |
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Freezin' (For A Little Human Love) Date Performance: 1983, Running Time: 4:52 Comments: Recorded and Mixed at Shangri-la Studios, Malibu. |
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True Love Is Hard To Find Date Performance: 1983, Running Time: 4:35 Comments: Recorded and Mixed at Shangri-la Studios, Malibu. |
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Angel Date Performance: 1983, Running Time: 4:02 Comments: Recorded and Mixed at Shangri-la Studios, Malibu. |
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Guest Appearances » |
Greg Adams, Greg Adams, Rosemary Butler, Max Carl, Emilio Castillo, Emilio Castillo, Lenny Castro, Blondie Chaplin, Nathan East, Richard Elliot, Richard Elliot, Charles Ferrin, Rob Fraboni, Ira Ingber, Eric Justin Kaz, David Joseph Kitay, Richard (Koz) Kosinski, Russ(ell) Kunkel, Stephen/Steve (The (Doc)tor) Kupka, Stephen/Steve (The (Doc)tor) Kupka, Mike/Michael Landau, Ian (Mac) McLagan, Christine McVie, Guy Moon, Ivan Neville, Ray/Rei O'Hara/Ohara, Dean Parks, Bill(y)/William Payne, J(onathan) A(lfred) C(lawson) Redford, J(ohn) (R.) (Frederick) Robinson, Steve/Stephen Ross, Johnny Lee Schell, Todd Sharp, Leland (Lee) Sklar, Earl (Chinna) Smith, Neil Stubenhaus, Lee Thornburg/Thornberg/Thomberg, Lee Thornburg/Thornberg/Thomberg, Tower Of Power, Carlos Vega, Ian Wallace, Sippie Wallace (Beulah Thomas), David Woodford
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Released » |
1986
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Format » |
Domestic Vinyl/CD Album
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Other Appearances » |
Bryan Adams (Songwriter), Karla Bonoff (Songwriter), Toots (Frederick) Hibbert (Songwriter), Toots (Frederick) Hibbert (Songwriter), James (Hutch) Hutchinson (Songwriter), Ira Ingber (Songwriter), Danny Ironstone (Songwriter), Will A. Jennings (Songwriter), Ronald Jones (Songwriter), Eric Justin Kaz (Songwriter), Richard Kerr (Songwriter), Ivan Neville (Songwriter), Nan O'Byrne (Songwriter), J(onathan) A(lfred) C(lawson) Redford (Songwriter), Michael Smotherman (Songwriter), Tom Snow (Songwriter), Mary Unobsky (Songwriter), Jim Vallance (Songwriter), Jerry (Lynn) Williams (Songwriter), Jim Shea (Photography), Laura LiPuma (Art Direction), Laura LiPuma (Design), Sharon Rice (Assistant Engineer), Bill(y) Yo(u)delman (Assistant Engineer), Denise Pauly (Makeup), John X. Volaitis (Additional Engineering), Ivy Skoff (Production Coordinator), Rob Fraboni (Produced By), Russ(ell) Kunkel (Produced By), George Massenburg (Produced By), Bill(y)/William Payne (Produced By), Steve Tyrell (Produced By), Terry Becker (Engineered By), Rob Fraboni (Engineered By), David Joseph Kitay (Engineered By), George Massenburg (Engineered By), Margi Kent (Wardrobe), Ron Stone (Management), George Massenburg (Mixed By), David Tickle (Mixed By), Teresa Caffin (Remastered By), Jo Motta (Project Coordinator), Greg Adams (Horns Arranged By), Greg Adams (Horns Arranged By), Gregg Geller (Warner Remasters Series), Lindsey Loch (Cover Illustration), Doug Sax (Album Originally Mastered By) |
Record Label » |
Warner Bros. Records |
Catalogue Number » |
9254861 (LP) 2-25486 ('90 WB CD) R2 78385 ('01 WB CD Reissue) 4-25486 (Cassette)
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Running Time » |
41:33
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Liner Notes » |
Mastered at The Mastering Lab, Los Angeles.
Special thanks:
To all the writers, musicians, engineers and producers who brought so much of themselves to this project.
To my Home Sweet Home team who stoke that ongoing career furnace: Jeffrey, Ron, Danny, Nat Weiss, Monterey Peninsula Artists, Tim Bernett, Dick Waterman and my band and crew
And to my friends at Warner Bros. who helped to make this record a reality: Lenny Waronker, Russ Thyret, Carl Scott, Laura LiPuma and especially Felix Chamberlain, without whom this record couldn't have been made.
2001 CD Reissue Notes:
First released in 1986.
Warner Remasters:
Bonnie Raitt
Give It Up
Takin' My Time
Streetlights
Home Plate
Sweet Forgiveness
The Glow
Green Light
Nine Lives
www.bonnieraitt.com
(C) (P) 1986 (C) 2001 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
3300 Warner Blvd.
Burbank, CA 91505-4694
Warner Music Group, an AOL Time Warner Company
75 Rockefeller Plaza
New York, NY 10019-6908
World Wide Web: http://www.wbr.com
All rights reserved. Unauthorized duplication is a violation of applicable laws.
Made in U.S.A.
Mfg. by WEA Manufacturing
Compact Disc Digital Audio
0 8122-2 2
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Reviews » |
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Add your review here.
Oddly newer songs better on this almost compilation Review written by John Fitzgerald, August 21st, 2004 This album may come off as uneven due to the fact that this is almost a compilation of 4 tracks from an aborted 1983 album project called "Tongue and groove" (the album had been fully recorded but Warner Brothers chose not to release it), one song from the soundtrack of the 1985 movie "Extremities" and 5 newly (as of 1986) recorded tracks. "Stand up to the night" is the movie song and it does sound rather typical of 80's power chord glossy dramatics but it's not bad considering Raitt is a strong artist to be reckoned with, unlike what may be found on many 80's soundtracks. "Angel" is the song on which Christine does some background vocals along with Todd Sharp, Steve Ross & Blondie Chaplin so McVie doesn't stand out very well but you can hear her smooth tones on some of the higher "ooh"s. It's a nice piano led ballad with some good slide guitar work by Bonnie at the close which makes for an effective finish. This track dates from the "Tongue & groove" sessions as does the previous three tracks. Unfortunately, they don't fair as well as "Angel". However, "True love is hard to find" is the exception out of these tracks though, with a good reggae feel, this has a distinctive Bonnie Raitt funk feel to it. "Freezin' (For a little human love)" is a rolling galloper that just doesn't work, hemmed in by it's 80's synth sound. "Excited" is OK but again it's plinky sound intrudes. It feels strange to say that the 1986 tracks are the best ones, it could just be that the legend surrounding the "Tongue and groove" recordings is more interesting than the recordings themselves, as much as I would hate to agree with WB on their reluctance to release them (though I'm sure it was for reasons that it shouldn't have been for). A bright numbing Bryan Adams cover opens the album in "No way to treat a lady", though you can see his style a mile away here, Bonnie rocks harder here than on most recordings she's done to this date, this may even still be the most rocking track she's ever done overall (though I think "Me and the boys" from her 1982 "Green light" album would give this track a run for it's money on that score). "Runnin' back to me" tries to rock even harder with it's fast beat punch but apart from a few nice licks, it's lightweight stuff. "Who but a fool (Thief into paradise)" is a grower but you'll enjoy it once you know it, it has a slight soul/funk feel featuring horns that work well. "Crime of passion" is a breezy mid tempo highlight that will grown on you as well, though you might think it suffers a weak hook initially, you'll find yourself singing it after a few listens though admittedly "All day all night" employs a plastic reggae sound, it is good otherwise though. Unquestionably, if you are investigating Raitt's work, do NOT start here, but when you do get around to getting this album, you won't be disappointed, in the long run.
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Last Modified » |
2011-01-27 |
Tracklisting » |
Discography entry submitted by Marty Adelson. |