Disc One: |
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Crawling Up A Hill Date Performance: 1964-03-00, Running Time: 2:15 Comments: (Version One) |
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My Baby Is Sweeter Date Performance: 1965-02-26, Running Time: 3:00 |
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Crocodile Walk Date Performance: 1965-02-26, Running Time: 2:15 |
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Blues City Shakedown Date Performance: 1965-02-26, Running Time: 2:22 |
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I'm Your Witchdoctor Date Performance: 1965, Running Time: 2:14 |
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Telephone Blues Date Performance: 1965, Running Time: 3:58 |
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Bernard Jenkins Date Performance: 1965-10-00, Running Time: 3:51 Comments: by John Mayall & Eric Clapton. Mono Version. Recorded at Wessex Sound Studio(s), Old Compton Street, London. Released August 1966 as the B-side of a single on Purdah Records (#45-3502). (P) 1966 The Decca Record Company Ltd. Licensed from The Polygram Licensing Division. Source: Original analogue tape |
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All Your Love Date Performance: 1966, Running Time: 3:35 Comments: Recorded at Decca West Hempstead Studios, Spring 1966. (P) The Decca Recording Company Ltd.
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Double Crossing Time Date Performance: 1966, Running Time: 3:00 |
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Key To Love Date Performance: 1966, Running Time: 2:05 |
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Parchman Farm Date Performance: 1966, Running Time: 2:21 |
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Looking Back Date Performance: 1966-09-30, Running Time: 2:34 Comments: Recorded at Decca's West Hampstead Studios. |
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So Many Roads Date Performance: 1966-09-30, Running Time: 4:46 Comments: Recorded at Decca's West Hampstead Studios. |
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Sitting In The Rain Date Performance: 1966-10-11, Running Time: 2:56 Comments: Recorded during the "A Hard Road" sessions. |
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A Hard Road Date Performance: 1966, Running Time: 3:12 |
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Dust My Blues Date Performance: 1966, Running Time: 2;50 |
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The Super-Natural Date Performance: 1966, Running Time: 2:57 Comments: Sometimes incorrectly billed as "The Supernatural" or "Supernatural".
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Another Kinda Love Date Performance: 1966, Running Time: 3:06 |
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Leaping Christine Date Performance: 1966, Running Time: 2:25 |
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Burn Out Your Blind Eyes Date Performance: 1966-11-00, Running Time: 3:01 |
Disc Two: |
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All My Life Date Performance: 1966-11-26, Running Time: 4:23 Comments: Sometimes incorrectly billed as "All Of My Life". Recorded at Decca's West Hampstead Studios. |
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Ridin' On The L & N Date Performance: 1966-11-26, Running Time: 2:27 Comments: Recorded at Decca's West Hampstead Studios. |
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Eagle Eye Date Performance: 1966-11-26, Running Time: 2:52 Comments: Recorded at Decca's West Hampstead Studios. |
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It Hurts Me Too Date Performance: 1967-04-19, Running Time: 2:55 Comments: Recorded at Decca's West Hampstead Studios. |
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Double Trouble Date Performance: 1967-04-19, Running Time: 3:19 Comments: Recorded at Decca's West Hampstead Studios. |
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Sonny Boy Blow Date Performance: 1967, Running Time: 3:49 |
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Broken Wings Date Performance: 1967, Running Time: 4:16 |
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Oh, Pretty Woman Date Performance: 1967-07-00, Running Time: 3:40 Comments: Key performed in: Gb |
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The Death Of J. B. Lenoir Date Performance: 1967-07-00, Running Time: 4:27 Comments: Key performed in: F Sometimes incorrectly billed as "Death Of J.B. Lenoir". |
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Man Of Stone Date Performance: 1967-07-00, Running Time: 2:29 Comments: Key performed in: Bb |
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Checkin' Up On My Baby Date Performance: 1967-07-00, Running Time: 3:59 Comments: Key performed in: C Often billed as "Checking On My Baby". |
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Suspicions Date Performance: 1967-09-14, Running Time: 2:48 Comments: (Part One) |
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Jenny Date Performance: 1967-12-04, Running Time: 4:36 Comments: Recorded at Decca's West Hampstead Studios. |
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Picture On The Wall Date Performance: 1967-12-05, Running Time: 3:01 Comments: Recorded at Decca's West Hampstead Studios. |
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No Reply Date Performance: 1968-04-00, Running Time: 3:09 |
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She's Too Young Date Performance: 1968-04-00, Running Time: 2:22 |
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Sandy Date Performance: 1968-04-00, Running Time: 3:45 |
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Walking On Sunset Date Performance: 1968-08-00, Running Time: 2:50 Comments: Recorded between August 26-28,1968 at Decca's West Hampstead Studios. |
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The Bear Date Performance: 1968-08-00, Running Time: 4:40 Comments: Recorded between August 26-28,1968 at Decca's West Hampstead Studios. |
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Fly Tomorrow Date Performance: 1968-08-00, Running Time: 8:59 Comments: Recorded between August 26-28,1968 at Decca's West Hampstead Studios. |
Guest Appearances » |
Colin Allen, John(ny) Almond, Paul Butterfield, Peter Green, Keef Hartley, Dennis Healey, Henry Lowther, Nick Newel, Al(l)an Skidmore, Mick Taylor, Stephen/Steve Thompson, Ray Warleigh
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Released » |
1992-10-20
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Format » |
Domestic Vinyl/CD Album
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Other Appearances » |
Gus Dudgeon (Engineer), Bill Levenson (Producer), John Mayall (Producer), John Mayall (Producer), Jimmy (James Patrick) Page (Producer), Mose Allison (Songwriter), Dan Burley (Songwriter), Eric (Patrick) Clapton (Songwriter), Eric (Patrick) Clapton (Songwriter), Eric (Patrick) Clapton (Songwriter), Willie Dixon (Songwriter), Peter Green (Songwriter), Peter Green (Songwriter), Lionel Hampton (Songwriter), Elmore James (Songwriter), Joe (Joseph) Josea (Bihari) (Songwriter), Eddie Kirkland (Songwriter), John Mayall (Songwriter), John Mayall (Songwriter), Marshall Paul (Songwriter), Tampa Red (Hudson Whittaker) (Songwriter), (Lonesome) Jimmy/Jimmie Lee Robinson (Songwriter), Otis Rush (Songwriter), Mick Taylor (Songwriter), Mick Taylor (Songwriter), Johnny (Guitar) Watson (Songwriter), A.C. (Mooah) Williams (Songwriter), Sonny Boy (John Lee) Williamson (Songwriter), Jim Marshall (Photography), Michael Putland (Photography), David Wedgbury/Wedgeberry (Photography), Richard Bauer (Art Direction), Joseph M. Palmaccio (Mastering), Art Bonanno (Cover Design), John McDermott (Liner Notes), Mike Vernon (Produced By), Bill Levenson (Compilation Producer), John Mayall (Compilation Producer), John Mayall (Compilation Producer), Richard Bauer (Project Director), Terri Tierney (Project Coordinator) |
Record Label » |
Deram |
Catalogue Number » |
844302-2
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Running Time » |
131:39
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Liner Notes » |
Ray Warleigh - Alto Sax
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Reviews » |
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Add your review here.
Classic British Blues with choice rarities from P.G. Review written by Anonymous, March 15th, 2005 Over the course of forty songs on two CDs we can trace the evolution of John Mayall and with him mid-sixties British Blues and the coming of age John McVie, Eric Clapton, Peter Green and Mick Taylor. John McVie had the longest run with Mayall and plays on a total of twenty-seven tracks on this collection. Eric Clapton, the most experienced at the time he partnered with Mayall, is represented by seven tracks, including four from the Bluesbreakers "Beano" album. Although he was with Mayall for less than a year, Clapton's sound and approach truly matured under his guidance. Next up, Peter Green. The first single cut with Mayall was "Looking Back" - a slice of British pop rock, complete with horns, that Peter adds a nice guitar break to, but it hardly hints at what awaited listeners on the B-side. "So Many Roads", the first of many Otis Rush numbers that Peter Green would cover over the years, offers the first hints of the reverb laden emotional style he would begin to polish and hone while with the Bluesbreakers. This is followed by the B-side of the his second single with Mayall, "Sitting in the Rain", a highlight with a relaxed vocal from Mayall and wonderful finger-picking from Green over a gentle clip-clop rhythm tapped out by Anysley Dunbar on a guitar case! The next four tracks featuring Green are from the album "A Hard Road". The standout is of course "The Supernatural", Green's first true classic. A personal favorite is "Dust My Blues" with the wonderful variations that they wring from the familiar Robert Johnson riff. Disc two starts off with three tracks from an EP cut with Paul Butterfield - Green only gets showcased on the first, "All My Life" and the Clapton influence is evident. You can it also in the B-side of Green's last single with Mayall, "It Hurts Me Too". It's A-side, "Double Trouble", another Otis Rush slow burner serves as Green's diploma: his style has been perfected and he's ready to move on - he came back to this track in '69 using it's distinct bridge for "Before the Beginning". Mick Taylor comes on board for with four tracks from "Crusade" and then Green returns for two more tracks, "Jenny", which is custom made for Green's spare playing and "Picture on the Wall" - a true pleasure, with Green on acoustic slide (something we never got to hear enough of). Six more songs featuring Taylor close out the set. A great listen, a handy compilation for Mayall fans and along with "Thru the Years" a must for those interested in the roots of Peter Green.
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Last Modified » |
2011-01-01 |
Tracklisting » |
Discography entry submitted by Jeff Kenney. |
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