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Regular Album Tracklisting: |
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The Healing Kind
Date Performance: 2000, Running Time: 3:02
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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I Hope You Dance
Date Performance: 2000, Running Time: 4:54
Comments: (Special Guest Appearance: Sons Of The Desert) Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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After I Fall
Date Performance: 2000, Running Time: 3:02
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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Stronger Than I Am
Date Performance: 2000, Running Time: 3:37
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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I Know Why The River Runs
Date Performance: 2000, Running Time: 4:55
Comments: Overdubs recorded at Woodland Studios and Starstruck Studios. Mixed at Starstruck Studios. |
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Why They Call It Falling
Date Performance: 2000, Running Time: 3:35
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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Ashes By Now
Date Performance: 2000, Running Time: 4:11
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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Thinkin' With My Heart Again
Date Performance: 2000, Running Time: 2:53
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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I Feel Like I'm Forgetting Something
Date Performance: 2000, Running Time: 3:29
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. |
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Lonely Too
Date Performance: 2000, Running Time: 3:27
Comments: Overdubs recorded at Woodland Studios and Starstruck Studios. Mixed at Starstruck Studios. |
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Does My Ring Burn Your Finger
Date Performance: 2000, Running Time: 3:27
Comments: Overdubs recorded at Woodland Studios and Starstruck Studios. Mixed at Starstruck Studios. |
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Lord I Hope This Day Is Good
Date Performance: 2000, Running Time: 2:54
Comments: Overdubs recorded at House Of Gain and Ocean Way Nashville. Mixed at The Sound Kitchen. | |
Japanese Import Bonus Tracks: |
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I Hope You Dance
Date Performance: 2000, Running Time: 4:36
Comments: (The Rawling Mix) |
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Man Who Made My Mama Cry
Date Performance: 2000, Running Time: 4:04 |
| Guest Appearances » |
Sam Bacco, (Steven) Brett Beavers, Richard Bennett, Ronnie Bowman, Bekka Bramlett, Mark Casstevens, Lisa Cochran, Chad Cromwell, Rusty Danmyer, Eric Darken/Darkin, Dave Dunseath, Mark Fain, Tabitha Fair, Pat Flynn, Paul Franklin, Larry Franklin, Kenny Greenberg, Aubrey Haynie, John Johnson, Marabeth Jordan, Liana Manis, Joe Manual, Brent Mason, Buddy (Steven P.) Miller, Gene Miller, Julie (Anne) Miller, Kevin Montgomery, Steve Nathan, Michael Omartian, Jon Randall, Michael Rhodes, Jeff(rey) Roach, Scott Saunders, Scott Saunders, Jason Sellers, Lisa Silver, Ricky Skaggs, Sons Of The Desert, The Nashville String Machine, Dan Tyminksi, Doug Virden, Doug Virden, Bergen White, Lonnie Wilson, Drew Womack, Drew Womack, Tim Womack, Tim Womack, Glen(n) (A.) Worf
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| Released » |
2000-05-23
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| Format » |
Domestic Vinyl/CD Album
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| Other Appearances » |
Ronnie Bowman (Songwriter), Rodney Crowell (Songwriter), Bobbie Cryner (Songwriter), Roxie Lea Dean (Songwriter), Dean Dillon (Songwriter), Dale Dodson (Songwriter), Dave Hanner (Songwriter), Don(ny) Kees(ee) (Songwriter), Bill Kenner (Songwriter), Billy Lawson (Songwriter), Greg Luck (Songwriter), Buddy (Steven P.) Miller (Songwriter), Julie (Anne) Miller (Songwriter), Bruce Robison (Songwriter), Ron(nie) Rogers (Songwriter), Mark Daniel Sanders (Songwriter), Don Schlitz (Songwriter), Jason Sellers (Songwriter), Sanger D. Shafer (Songwriter), Tia Sillers (Songwriter), Wynn Varble (Songwriter), Lee Ann Womack (Songwriter), (Don) Mark Wright (Songwriter), Gina (R.) Binkley (Design), Robert Charles (Additional Engineering), Frank Liddell (Produced By), (Don) Mark Wright (Produced By), The Erv Woolsey Co. (Management), Greg Droman (Mixed By), Mike McCarthy (Mixed By), Hank Williams (Mastered By), David Campbell (Strings Arranged By), Bergen White (Strings Arranged By), Trish Townsend (Stylist), Daniel Kresco (Mixing Assisted By), Melissa Schleicher (Hair), Travis Hill (Project Coordinator), Jessie Noble (Project Coordinator), Melissa Schleicher (Make-Up), Tony Baker (Photographer), Gerry Wenner (Photographer), Steve Crowder (2nd Engineer), Todd Gunnerson (2nd Engineer), Jed Hackett (2nd Engineer), Jody Yesville (2nd Engineer), David Campbell (Strings Conducted By), Bergen White (Strings Conducted By), Greg Droman (Overdubs Recorded By), Mike McCarthy (Overdubs Recorded By), Gary Miller (Remix Produced By), Brian Rawling (Remix Produced By), Jeff Balding (Javelina Recording Studio Recording By), Mike McCarthy (Javelina Recording Studio Recording By), Greg Droman (Sound Kitchen Recording By), Betsy Blood (Overdubs Recording Assisted By), Casey Wood (Overdubs Recording Assisted By) |
| Record Label » |
MCA Nashville |
| Catalogue Number » |
170099/UICC-1029
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| Running Time » |
48:15/52:19
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| Liner Notes » |
Recorded at The Sound Kitchen & Javelina Recording Studio.
Mastered at MasterMix.
I love talented people. I have a weakness for people who are great at what they do. I'm happiest when I'm surrounded by those people and, let me tell you, I have been one happy girl while working on this record. Throughout the entire process I was with them daily, working and watching them work. From the beginning, looking for songs with Frank, to the mix with Greg Droman, I was amazed over and over again at their abilities and willingness to lend their talents to someone else's project.
To the songwriters: Guys, I know it's not easy to write a song and then just turn it over for someone else to share with the world. What if the song's not right for the artist? What if the delivery isn't right? I hope you like the work we've done on your songs. I've always tried to choose material that I feel works for me. I have a deep appreciation for your craftsmanship. Thank you for sharing your talent with me.
Long before I came to Nashville a custom was started of using "studio musicians" to play on records. Honestly, I've questioned this custom many times and challenged it too. Then I get in the studio, listen to these guys work, and realize there's a reason they always get the call. They're just great and that's all there is to it. I've come to feel that it's the artist's responsibility to make sure that her record doesn't sound like anyone else's. I'm fortunate enough to have a label and producer that will let me try different things and different people on my records, and I've had a blast doing it this time. Thanks to all of the musicians and singers for your efforts, and to Jessie and Carie for making all of the arrangements. I know it probably seemed like every time you turned around I was flying someone in, flying somebody else out, switching schedules around, replacing, redo-ing and generally running everybody ragged: Thank you for your help.
I've always said that I'm guilty of making my records to impress about five or six people in this world. Well, thank goodness those five or six people have very high standards! I won't name them here, and you probably don't even know who you are, but I'll be watching out of the corner of my eye to see your reactions!
I owe a great deal of gratitude to the following people: Dan McCann @ A.B.S., Badgley Mischka, Cynthia Rowley and Christina Perrin; Mark Wright's parents, thank you for teaching him to love music the way he does; Melissa Schleicher, thank you for being on top of everything! Casey, Cheryl and Connie for all the help, all the time; Tom and Danny for the same; Dale Dodson for your friendship, knowledge of country music and great songs, sense of humor, and on and on and on; Holly Gleason for your passion and knowledge; Molly Sheridan for being there when I can't, and Denise for introducing us! Courtney for taking care of us and for being such a good example to Aubrie; Joey and Tony and everyone at Buddy Lee for watching out for me so well; Kristin & Kelly @ FBMM for keeping me in check; 911 wives and children for letting me borrow your guys! You're the only people who love them more than I do; Trish: thanks for sharing your years of hard work with me; Mom, Dad, Judy, Mark, Kevin, Molly, Chloe, and Pappy for always, always, always, being there for me; The Liddells for accepting me into your family so readily; Mary, Larry & Stephen for more than I can begin to mention here! Sam, Berry, Brett, Troy, Steve, John, Rusty, Dave & Joe for being great. Dottie for helping me with so much--from teaching me the how-to's of a good hug to telling me Frank's right 99.999999% of the time (just like Sven): and Frank; for everything you've done for me, but mostly for making me the happiest person I've been in 33 years. I love you.
Thank you Erv, for always thinking ahead, and for realizing that nothing is as important as life!
I've always been a cheerleader, of sorts, for MCA Records. It's wonderful to finally be a part of the team. Now I'm ready to win the game.
Lee Ann
Lee Ann, her band "911" and crew would like to thank: Ernie Ball, Shure Microphones, Fender, Guild, Super-Sensitive Strings, Bob Wills, DeArmond Guitars, Barcus-Berry, Epiphone & Line 6.
Aubrey Haynie appears courtesy of Sugar Hill Records
Buddy Miller appears courtesy of HighTone Records
Julie Miller appears courtesy of HighTone Records
Kevin Montgomery appears courtesy of www.kevinmontgomery.com
Jon Randall appears courtesy of Eminent Records
Jason Sellers appears courtesy of BNA Records
Ricky Skaggs appears courtesy of Skaggs Family Records
Glenn Worf appears courtesy of Dead Reckoning Records
Other Lee Ann Womack Music Available:
Lee Ann Womack
Some Things I Know
www.leeannwomack.com
(P) (C) 2000 MCA Nashville (a division of UMG Recordings, inc.), A Universal Music Company
www.mca-nashville.com
All rights reserved. Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited.
Marketed by Victor Entertainment, Inc.
Stereo
High Definition Compatible Digital (HDCD) are registered trademarks of Pacific Microsonics, Inc.
Compact Disc Digital Audio
Japanese Import Issue Notes:
Universal International, a Universal Music company.
Made in Japan
JASNAC
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| Reviews » |
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Add your review here.
 
Good country/pop mix idea on show
Review written by John Fitzgerald, February 21st, 2005 Womack has come up with a clever "crossover" trick here that worked well, you include pop rhythms with some country instrumentation so the crossover attempt doesn't seem so divided an album as can usually be the case with those under this area. The problem is that there are a few more traditional country sounding songs at the end of the CD that either seemed like the country side was an afterthought or they got tired of the pop/rock side so those songs may have been better mixed in with a different tracking order but overall the neat trick they've come up with here makes this pretty essential listening for the genere. The opener "The healing kind" is slower than you'd think an album would open with, enclosing it's fiddle and acoustic guitar arrangement, it features good harmonies. Then, in kicks the title track which starts with a guitar intro that reminds one slightly of Joan Osbourne's "One of us" but it is a most inviting track. "After I fall" has a bouncy funk feel that Bekka would've been proud of though the acoustic guitars are more up front than one would think from a song like this. Bekka is not on this song but she is on another good choice of a single from the album, the Rodney Crowell penned "Ashes by now" which is a very good borderline country/pop rock stomp. You can hear Bekka good on the "as much as you burn me baby" part before the solo. "Why they call it love" is a ballad on which you can really make out Lee Ann's Dolly Parton vocal influence, more so than on the other tracks. Another similar but nice ballad, "Stronger than I am" features strings and steel guitars but it's helped towards pop by the restraint shown on the rhythm here. "I know why the river runs" has a straightforward pop rock beat with steel guitar and fiddle touches but it's pulled more towards the rock side by it's rhythm guitar parts. The country ride begins with the acoustic/steel guitar ballad "Thinkin' with my heart again" followed by an out of place (so far going by this track order) guitar driven hoe-down slap called "I feel like I'm forgetting something" but Womack co wrote this one so you can see why it's essential. Then we get the waltz style country ballad "Lonely too", the moderate speed country clucker "Does my ring burn your finger" and we close with "Lord I hope this day is good" which from the way it's handled sounds like a light acoustic take on a Johnny Cash song (but of course, it's not). All in all though, more than the first half of the album make up for the album's shortcomings and the track order is nothing that can't be fixed with a good CD player.
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| Last Modified » |
2010-11-30 |
| Tracklisting » |
Discography entry submitted by Jeff Kenney & Marty Adelson. |
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I Hope You Dance (2000) -