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Mr. Fantasy - Traffic


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Mr. Fantasy (1967) - Traffic


    Featuring »

Jim Capaldi, Dave Mason, Steve Winwood, Chris Wood

    Tracklisting »

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Original UK Tracklisting:
Heaven Is In Your Mind
  Date Performance: 1967, Running Time: 4:20
  Comments: (P) 1968 Island Records Ltd.
Berkshire Poppies
  Date Performance: 1967, Running Time: 2:58
  Comments: (P) 1968 Island Records Ltd.
House For Everyone
  Date Performance: 1967, Running Time: 2:06
  Comments: (P) 1968 Island Records Ltd.
No Face, No Name, No Number
  Date Performance: 1967, Running Time: 3:34
  Comments: (P) 1968 Island Records Ltd.
Dear Mr. Fantasy
  Date Performance: 1967, Running Time: 5:45
  Comments: (P) 1968 Island Records Ltd.
Dealer
  Date Performance: 1967, Running Time: 3:12
  Comments: (P) 1968 Island Records Ltd.
Utterly Simple
  Date Performance: 1967, Running Time: 3:19
  Comments: (P) 1968 Island Records Ltd.
Coloured Rain
  Date Performance: 1967, Running Time: 2:43
  Comments: (P) 1967 Island Records Ltd.
Hope I Never Find Me There
  Date Performance: 1967, Running Time: 2:09
  Comments: (P) 1968 Island Records Ltd.
Giving To You
  Date Performance: 1967, Running Time: 4:24
  Comments: (P) 1968 Island Records Ltd.

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Original US (Heaven Is In Your Mind) Tracklisting:
Paper Sun
  Date Performance: 1967, Running Time: 4:12
  Comments: (P) 1967 Island Records Ltd.
Dealer
  Date Performance: 1967, Running Time: 3:12
  Comments: (P) 1968 Island Records Ltd.
Coloured Rain
  Date Performance: 1967, Running Time: 2:43
  Comments: (P) 1967 Island Records Ltd.
Hole In My Shoe
  Date Performance: 1967, Running Time: 2:56
  Comments: (P) 1968 Island Records Ltd.
No Face, No Name, No Number
  Date Performance: 1967, Running Time: 3:34
  Comments: (P) 1968 Island Records Ltd.
Heaven Is In Your Mind
  Date Performance: 1967, Running Time: 4:20
  Comments: (P) 1968 Island Records Ltd.
House For Everyone
  Date Performance: 1967, Running Time: 2:06
  Comments: (P) 1968 Island Records Ltd.
Berkshire Poppies
  Date Performance: 1967, Running Time: 2:58
  Comments: (P) 1968 Island Records Ltd.
Giving To You
  Date Performance: 1967, Running Time: 4:14
  Comments: (Single Mix - Proper vocals at beginning) (P) 1967 Island Records Ltd.
Smiling Phases
  Date Performance: 1967, Running Time: 2:45
  Comments: (P) 1968 Island Records Ltd.
Dear Mr. Fantasy
  Date Performance: 1967, Running Time: 5:45
  Comments: (P) 1968 Island Records Ltd.
Paper Sun
  Date Performance: 1967, Running Time: 0:53
  Comments: Billed as "We're A Fade You Missed This", this track is just a snippet of "Paper Sun" (this time just published by F.S. Music Ltd./Warner Chappell Music Ltd.). (P) 1968 Island Records Ltd.
    Guest Appearances »

Francine Heiman, Kenny (Kenneth Thomas) Jones, Kenny (Kenneth Thomas) Jones, Ronnie Lane, Steve Marriott, Steve Marriott, Ian (Mac) McLagan, Ian (Mac) McLagan, The Small Faces

    Released »

1967-12

    Format »

Domestic Vinyl/CD Album

    Other Appearances »
Eddie Kramer (Engineer), Jim Capaldi (Songwriter), Jim Capaldi (Songwriter), Dave Mason (Songwriter), Dave Mason (Songwriter), Steve Winwood (Songwriter), Steve Winwood (Songwriter), Chris Wood (Songwriter), Chris Wood (Songwriter), Jimmy Miller (Produced By), Jim Capaldi (Arranged By), Jim Capaldi (Arranged By), Dave Mason (Arranged By), Dave Mason (Arranged By), Steve Winwood (Arranged By), Steve Winwood (Arranged By), Chris Wood (Arranged By), Chris Wood (Arranged By), Phil Smee (CD Packaging), C.C.S. Advertising Associates (Album Sleeve Design), Chris Wood (Album Sleeve Design), Chris Wood (Album Sleeve Design), John Benton Harris (Original Sleeve Photography), Tim Chacksfield (Reissue Project Co-Ordinator), Brian Hogg (Traffic Story)

    Record Label »
United Artists/Island Records/Mobile Fidelity

    Catalogue Number »

UAL-3651 (Mono LP) ILPS 961 (Stereo LP) UDCD-572 (Mobile Fidelity CD) 422-842783-4 (Cassette) IMCD 264 546 496-2 (UKCD)

    Running Time »

33:54 (UK)

    Liner Notes »

Recorded at Olympic Sound Studios

Composed by the members of Traffic

In memory of Len Tibbits, brother of Harry Tibbits, he died shuvling (sic) gravel.

(C) 1968 Island Record Ltd., A Universal Music Company

The copyright in this sound recording and of this artwork is owned by Island Records Limited.

WARNING: All rights reserved. Unauthorised copying, lending, hiring, reproduction, public performance and broadcasting prohibited.

2000 UK Island CD Reissue Notes:

BETWEEN 1966 AND 1967 rock began to evolve out of pop. The new possibilities on offer caused ructions within Beat's old guard - Paul Jones split from Manfred Mann, Eric Burdon forged a 'New Animals' and Stevie Winwood said goodbye to the Spencer Davis Group.

Born in Birmingham on May 12, 1948, Winwood was a child protege, playing various instruments - piano, guitar, organ - in local pubs and bands by age 13. Yet for all that mercurial talent, it was Stevie's voice which grabbed immediate attention, soaked, as it was, in the rasp of Ray Charles and the swing of Mose Allison. Winwood, brother Muff and drummer Steve York teamed with guitarist/singer Spencer Davis in 1963 to forge one of Britain's finest R&B groups. Before their demise four years later, the quartet recorded a series of vibrant singles, notably 'Keep On Runnin", 'Gimmie Some Lovin" and 'I'm A Man', as well as three stellar albums. However, by early 1967, rumours of Stevie's unhappiness spread. He had become the fulcrum of a group which bore his character but not his name and it had become clear he wished to play a freer, more adventurous music. Tales flourished about late-night jam sessions with fellow Brummie musicians and in April the music press formally announced his new venture: Traffic.

The rest of the line-up was dubbed 'unknown' yet they were veterans of (the) same circuit through which the Spencer Davis Group had evolved. Drummer Jim Capaldi had been lead singer with the Sapphires prior to teaming with guitarist Dave Mason in the Hellions. John 'Poll' Palmer (later of Eclection and Family) and Luther Grosvenor (Spooky Tooth, Mott The Hoople), were also members of a promising band which completed three singles before splitting. Mason, Capaldi and Palmer then formed the short-loved Deep Feeling, but Dave left soon afterwards. He moved to London joining club favourites Julian Covey and the Machine, but having been fired for missing rehearsals, took employment as a roadie for the Spencer Davis Group. Traffic began life in 1965 as Mason began to distract Winwood and Birmingham's Elbow Bow Room club became a new focal point. Capaldi dropped in, ex Locomotive saxophonist Chris Wood arrived and the seeds of a new band were sewn a year before they became official. Their understanding proved unshakeable, and it's long-whispered that Mason, and possibly others, provided the muscle on the final Spencer Davis hit, 'I'm A Man'.

Winwood's already established managerial ties with Island Records' owner Chris Blackwell continued and the new unit became a conerstone in the label's development as an outlet for Jamaican music to that of rock. It was Blackwell who helped secure a cottage for the fledgling group at Aston Tirrold in Berkshire thereby founding one of pop's enduring cliches, that of bands 'getting it together in the country'. Traffic's communal period may have been quite brief - Stevie was, in fact, the sole permanent resident - yet during that time they fused a unique sound with traces of pop, soul, R&B and jazz.

'This is a photo of a Number 1 record', barked the uncompromising advert surrounding the release of 'Paper Sun', Traffic's debut single. If a tad optimistic, the performance itself deserved the hype. One of the truly great 'Summer of '67' songs, it proved Winwood's bold step was well-founded. Tablas and sitars enhanced Traffic's pulsating sound, and contrasted the more open, light-hearted vibe of the flipside, 'Giving To You'. Dave Mason's 'Hole In My Shoe' - which Winwood recorded under duress followed, before 'Here We Go 'Round The Mulberry Bush', the first song Traffic recorded together - gave the group their third Top 10 hit. Unfortunately, this brought renewed pressure on Winwood. He had wanted to escape chart-bound mentalities and although Traffic was feted as a rock act in the USA and Europe, it was seen as another pop group in Britain. Tensions between Stevie and Mason had also become apparent. They could not see eye to eye on Traffic's direction (and control), and indeed all of the band, bar Dave, preferred issuing the gutsy collective, 'Coloured Rain', as the group's second single, rather than the whimsical, but unrepresentative, 'Hole In My Shoe'.

The gulf between Mason and his colleague continues on Traffic's album debut, 'Mr. Fantasy', despite the rural bonhomie suggested by its memorable sleeve. Indeed Dave's rage strewn opus, 'Utterly Simple', although charming in itself, sounds like a solo track. Elsewhere, however, the band's empathy flourishes on the vibrant 'Heaven Is In Your Mind while 'Berkshire Poppies' (made with the aid of sundry Small Faces) capture the group at its most light-hearted. 'Dear Mr. Fantasy' itself, offers a burning passion born of nights playing together in the Berkshire countryside and contrasts the plaintive cry for recognition apparent in 'No Face, No Name, No Number', one of the most poignant ballads recorded by anyone.

'Mr. Fantasy' was released in Britain in December 1967, but by the time it appeared Dave Mason had left the line-up. The US edition, issued somewhat later, reflected his departure. The sleeve showed Traffic as a trio and the errant member's name was absent from the credits. The content was also changed but, in many ways, the revamped set provided a wider overview of Traffic's first six months than the albeit excellent snapshot captured by thr UK version. Scissors at the ready, out went all of Dave's contributions, bar 'House For Everyone', and in came the group's first two singles, 'Smilin' Phases', the punchy flip of 'Hole In My Shoe' and 'We're Afraid You Missed This', a jokey reprise of the album's 'title' track. With this in mind, both pressings are included on this CD - the British in stereo; its transatlantic counterpart in mono. If this seems confusing, then so too is Traffic's subsequent history, detailed on the companion volumes of Traffic' and 'John Barleycorn Must Die'.

ORIGINAL ISLAND PROMOTIONAL BIOGRAPHY FROM THE PRESS PACK:

TRAFFIC LIFE LINES

JAMES CAPALDI
(DRUMS & PERCUSSION)
AGE: 22 YEARS.
HOW OLD DO YOU FEEL: ANYTHING UNDER FIFTY.
BIRTHDAY: 2ND, AUGUST
ARE YOU AFRAID OF DEATH: I DON'T KNOW.
FAVOURITE FLOWER: DON'T INVOLVE ME IN THESE LATEST CRAZES.
00 YOU LIKE CLASSICAL MUSIC: YES.
00 YOU DAY-DREAM: NO, I NIGHT-DREAM.
DO YOU SMOKE: YES.
HOW MANY CIGS. DO YOU SMOKE PER DAY: 7 1/2 OUT OF A PACKET OF 10.
WHAT TYPE OF FOODS DO YOU ENJOY MOST: MUSIC.
WHAT COUNTRY IN THE WORLD WOULD YOU ESPECIALLY LIKE TD VISIT: ENGLAND.
ARE YOU PATRIOTIC: NO, JIM IS MY NAME.
IDEAL GIRL: DON'T KNOW - I HAVEN'T MET HER YET.
DO YOU LOVE ANIMALS: I DO, BUT I DON'T THINK THEY LOVE ME.
WHICH ANIMALS DO YOU LOVE MOST: TRAFFIC.
WHO DO YOU ADMIRE: GOD.
WHO WOULO YOU LIKE TO BE OTHER THAN YOURSELF: THE QUEEN MOTHER.
AMBITION: TO MAINTAIN PEACE OF MIND AT ALL TIMES.

JIM WRITES TO YOU:- "I STARTED OUT BREATHING AND HAVE CONTINUED TO DO SO EVER SINCE, ALTHOUGH MY HEART WORRIES ME SOMETIMES. IT DOES A SORT OF PARADIDDLE WITH TWO RESTS IN-BETWEEN WHICH PROBABLY STARTED ME DRUMMING AT THE TENDER AGE.

I LOVE THE COUNTRY WIDE AND ALL THE SPACES IN IT. THIS ALLOWS ME TO BREATHE FREELY AND THINK FREELY - WHICH IS ABSOLUTELY ESSENTIAL FOR EATING SUGAR PUFFS AND I LOVE SUGAR PUFFS.

THE FIRST RECORD I EVER HAD RELEASED WAS WITH A GROUP CALLED THE 'HELLIONS'. THE ROYALTIES TOTALLED 2/9d. AND WE WERE COMPLETELY KNOCKED-OUT WITH THIS ACHIEVEMENT. - ANYWAY I MUST GO, DON'T WANT TO BE CAUGHT IN THE TRAFFIC!"

DAVID THOMAS MASON
(GUITAR, SITAR, PERCUSSION, HARP)
AGE: 21 YEARS.
HOW OLD DO YOU FEEL: 21.
BIRTHDAY: 10TH MAY
ARE YOU AFRAID OF DEATH: NO, ONLY THE WAY IN WHICH I MIGHT DIE.
FAVOURITE FLOWER: ALL FLOWERS.
00 YOU LIKE CLASSICAL MUSIC: GOOD CLASSICAL MUSIC.
00 YOU DAY-DREAM: I SUPPOSE EVERYBODY DOES.
DO YOU SMOKE: YES.
HOW MANY CIGS. DO YOU SMOKE PER DAY: WHENEVER I FEEL LIKE ONE.
WHAT TYPE OF FOODS DO YOU ENJOY MOST: I'M JUST GLAD THERE'S FOOD AVAILABLE.
WHAT COUNTRY IN THE WORLD WOULD YOU ESPECIALLY LIKE TD VISIT: INDIA & AFRICA.
ARE YOU PATRIOTIC: I'VE NEVER REALLY THOUGHT ABOUT IT.
IDEAL GIRL: SOMEONE WHO APPRECIATES INDIVIDUALITY.
DO YOU LOVE ANIMALS: YES.
WHICH ANIMALS DO YOU LOVE MOST: CATS ESPECIALLY.
WHO DO YOU ADMIRE: I APPRECIATE SO MANY PEOPLE.
WHO WOULO YOU LIKE TO BE OTHER THAN YOURSELF: THERE ISN'T REALLY ANYBODY ELSE I'D LIKE TO BE.
AMBITION: TO GAIN PEACE OF MIND.

DAVE WRITES TO YOU:- "THE PEN THAT IS WRITING THESE WORDS IS CONTROLLED BY THE MIND VIA THE HAND AND ARM.

LITTLE GIRLS WITH LITTLE SKIRTS AND LITTLE MINDS THAT FIT THEIR SCENES OF NIGHT CLUBS AND BRIGHT LIGHTS AND WONDERING WHETHER HE'S ALRIGHT (FOODS ANOTHER PROBLEM WITH ME, I HAVE TO WATCH MY DIET AS WELL).

HAVE YOU NOTICED HOW MANY PEOPLE WALK WITH THEIR NOSES ON THE GROUND WHEN THERE'S SO MUCH GOING ON AROUND THEM.

WORCESTER IS LIKE ONE BIG SHOP SURROUNDED BY HOUSES BUT THERE'S A BEAUTIFUL CATHEDRAL.

SIR EDWARD ELGAR WAS BORN NEAR TO MY HOME, AND UNDER THE CIRCUMSTANCES HE DIDN'T THINK THAT THERE WAS MUCH POMP ABOUT LAND OF HOPE & GLORY."

STEPHEN WINWOOD
(ORGAN & PIANO. GUITAR, PERCUSSION & HARP)
AGE: 19 YEARS.
HOW OLD DO YOU FEEL: SOMETIMES 16 - SOMETIMES 19.
BIRTHDAY: 12TH MAY
ARE YOU AFRAID OF DEATH: I DON'T USUALLY GIVE IT MUCH SERIOUS THOUGHT.
FAVOURITE FLOWER: GIANT SUN-FLOWERS.
DO YOU LIKE CLASSICAL MUSIC: YES.
DO YOU DAY-DREAM: YES.
DO YOU SMOKE: YES.
HOW MANY CIGS. DO YOU SMOKE PER DAY: ABOUT 15 TO 20.
WHAT TYPE OF FOOOS DO YOU ENJOY MOST: INDIAN AND CUBAN FOOD.
WHAT COUNTRY IN THE WORLD WOULD YOU ESPECIALLY LIKE TO VISIT: AFGHANISTAN.
ARE YOU PATRIOTIC: YES, IN MY OWN WAY.
IDEAL GIRL: SOMEONE WHO I LOVE.
DO YOU LOVE ANIMALS: YES.
WHICH ANIMALS DO YOU LOVE MOST: NICE ONES.
WHO DO YOU ADMIRE: I ADMIRE MANY PEOPLE.
WHO WOULD YOU LIKE TO BE OTHER THAN YOURSELF: I WOULDN'T LIKE TO BE ANYONE OTHER THAN MYSELF.
AMBITION: (no answer printed)

STEVE WRITES TO YOU:- "WHERE I WAS BORN IS NOT IMPORTANT, ALTHOUGH I LOVE BIRMINGHAM, I LEARNT MORE SINCE I LEFT SCHOOL.

I LIVE ON THE BERKSHIRE DOWNS, AND MY ONLY INFLUENCE IS ENVIRONMENT AND PAST MISTAKES. I DON'T DENY ANYTHING I'VE DONE IN THE PAST, BECAUSE WITHOUT THAT, I WOULDN'T BE ON THIS PLANE NOW. TO CREATE IS TO GIVE, AND TO GIVE OUT IS NOT POSSIBLE WITHOUT ABSORBING FIRST, SO I ABSORB OR IGNORE EVERYTHING I SEE, BECAUSE IT ISN'T POSSIBLE EITHER TO ABSORB EVERYTHING.

I DON'T WANT TO KNOW WHAT WILL HAPPEN OR WHAT HAS HAPPENED, I JUST KNOW WHAT IS HAPPENING. WITHOUT ACCEPTANCE FROM EVERYBODY, NOTHING WOULD BE POSSIBLE, INCLUDING US."

CHRISTOPHER WOOD
(TENOR, SAX, FLUTE & PERCUSSION)
AGE: 22 YEARS.
HOW OLD DO YOU FEEL: PHYSICALLY I SOMETIMES FEEL OLD; MENTALLY - VERY YOUNG, BUT I DON'T MIND ABOUT THAT.
BIRTHDAY: 24TH JUNE
ARE YOU AFRAID OF DEATH: YES.
WHY: THE THOUGHT OF EVERYTHING JUST COMING TO AN END - BUT THEN IT MAY NOT.
FAVOURITE FLOWER: BUTTERCUPS & DAISIES.
DO YOU LIKE CLASSICAL MUSIC: YES, I LIKE ALL DIFFERENT SORTS OF MUSIC.
DO YOU DAY-DREAM: WELL, I HAVE NIGHT-MARES AND 'DAY-MARES'.
DO YOU SMOKE: SOMETIMES IN THE EVENING.
WHAT TYPE OF FOODS DO YOU ENJOY MOST: SIMPLE FOODS, LIKE FRUIT AND SEA FISH.
WHAT COUNTRY IN THE WORLD WOULD YOU ESPECIALLY LIKE TO VISIT: CHINA.
ARE YOU PATRIOTIC: NOT REALLY.
IDEAL GIRL: A GIRL WHO IS HONEST AND UNDERSTANDING AND VERY NATURAL.
DO YOU LOVE ANIMALS: YES.
WHICH ANIMALS DO YOU LOVE MOST: MONSTERS (SECOND THOUGHTS: DOGS AND ALL HOUSE PETS).
WHO DO YOU ADMIRE: SOMEONE WHO IS HUMBLE AND KIND.
WHO WOULD YOU LIKE TO BE OTHER THAN YOURSELF: A BIRD WITH HUMAN FUNCTIONS AND A BRAIN.
AMBITION: HAPPINESS FOR OTHER PEOPLE.

CHRIS WRITES TO YOU:- "HERE I AM TRYING TO WRITE A FEW WORDS ABOUT ME AND I DON'T EVEN KNOW MUCH ABOUT MYSELF EXCEPT WHAT I LIKE AT THE MOMENT: (NOT IN ORDER OF IMPORTANCE) TRAFFIC, STEPHANIE WOOD, MY MOTHER & FATHER, SEVERAL CATS, OLD HOUSES, GHOSTS, TREES, EMILY BRONTE, HOT SUMMER DAYS, STOURBRIDGE, ROADS LEADING SOUTH, THE SEA, BEACHES, ROCK POOLS, PADSTOW, JAMES, THATCHED ROOFS, DAVE & STEVE, THE SMELL OF APPLE BLOSSOM, EARTH. FRESH SEA AIR, CLANCEY BROTHERS FACTORY, LAUGHING, TRAVILLING, ISLAND, KEN, BEATLES, CHILDREN, CAVES, DAY, LAWNS, BURIAL MOUNDS, SWALLOWS, RARE THINGS, RUBIES, SOME TOTEM POLES, PEACHES, BUTTER, COLOURS, THE SOUND OF WIND, ALL INSTRUMENTS, BOB DYLAN, DARK, LANTERNS, DAWN, DUSK, ATMOSPHERES IN THE EVENINIG AND LITTLE THINGS."

Island Remasters

http://www.island.co.uk

These original analogue masters have been digitally transfered at 24 bits resolution, processed using Sonic Solutions NoNoise technology and mastered to 16 bit for CD using Prism SNS Noise Shaping.

Made in the EU

Compact Disc Digital Audio

LC00407

BIEM/MCPS

UN 899

    Reviews »
Add your review here.

4/5.04/5.04/5.04/5.04/5.0
Psychedelic classic
Review written by John Fitzgerald, January 11th, 2005

I have the fairly recent UK Island CD remastering of "Mr. Fantasy" and though it's fairly interesting having the original US version of the album at the end of the straight UK version as "bonus" material here, it's not much to write home about as it suffers from a mono styled, one dimensional channeling (though some audiophiles may find it an interesting listen back in to history as that is obviously the intent here but you can here some unrecognizable sounds in between each song which sounds like what one might hear in the background of the quiet parts of a cassette tape that had been used before and then taped over on top of the original recording hearing a little of what was on the tape originally underneath the new recordings though it's not a complete loss as one unique thing here is that "Giving to you" (which was co written by Mason along with Winwood, Capaldi & Wood) on the US section of the album includes "regular" vocals at the beginning of the track as these vocals must have been recorded and used on the US version of the recording (and it gets faded out early), it seems they were obviously trying to do away with the spouting voices galore that appear at the beginning and end of the original UK recording of the song (which on the whole is a stomping "mostly" instrumental chug). Aside from that, tracks like "Hole in my shoe" you can hear more clearly elsewhere and "Paper sun" here is also faded out early so that the part that you don't hear due to the early fade comes back in at the end of the album as "Were a fade we missed you" which may lead some to believe that this is a unique track but it isn't, it's just the last half a minute or so of "Paper sun" under that moniker. Anyways, on to the rest of the more useful stereo recordings themselves at the beginning of the disc. Dave has three tracks he penned himself here (much to Winwood's dismay apparently, as many reports suggest Steve wished the band members to all write together whereas Mason mostly preferred to write alone), the quirky pop bounce of "House for everyone", the sitar featured waltz like doodling of "Utterly simple" and the swirling forgettable plink of "Hope I never find me here". Mason is listed on the album as playing guitar, meletron (sic? got it from the CD booklet), sitar, tambura, shakkai & bass (as well as lead vocals, presumably only on the above listed Mason penned tracks) though it doesn't say on which songs and as Winwood is also listed for bass & guitar duties on the album (among other things), it makes it all the harder to decipher where Mason may appear (apart from the more obvious above listed tracks). As for the rest of the tracks themselves, "Heaven is in your mind" is a real highlight with it's shaking, chunky verse sections and it's tumbling choruses, it's a good representation of what Traffic was on it's own. "Berkshire poppies" is a slow vaudevillian piano swayer which speeds up during the chorus sections but it is not a good track overall. "Dealer" is a fair track (with a quiet acoustic beginning that gives way to galloping cowbell fare) as is "Coloured rain" which is punchy and loud enough to grab some commercial attention but it doesn't really have a great hook). However, "No face no name no number" is a haunting, moving meletron sweller and "Dear Mr. Fantasy" is one of, if not the best Traffic recording ever, it's very catchy, has delightful melodic guitar on the verses which turns to blistering leads climaxing in a thumping train like blues dirge with useful harmonica not outdoing the guitar. This album is worth the price of admission for the three highlighted tracks alone and it's importance in the psychedelic community cannot be understated regardless of it's above admitted shortcomings.

    Comments »

The original US version of this album was titled "Heaven is in your mind" which included a different tracklisting & cover.

    Last Modified »
2011-01-16
    Tracklisting »
Discography entry submitted by Jeff Kenney.