Regular Album Tracklisting: |
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Steve McQueen Date Performance: 2002, Running Time: 3:24 Comments: Mixed at Oceanway, Los Angeles. |
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Soak Up The Sun Date Performance: 2002, Running Time: 4:52 Comments: Mixed at Soundtrack Studios, NYC. |
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You're An Original Date Performance: 2002, Running Time: 4:34 Comments: Mixed at Soundtrack Studios, NYC. |
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Safe And Sound Date Performance: 2002, Running Time: 4:29 Comments: For O. Mixed at Oceanway, Los Angeles. |
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C'mon C'mon Date Performance: 2002, Running Time: 4:44 Comments: Mixed at Soundtrack Studios, NYC. |
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It's So Easy Date Performance: 2002, Running Time: 3:24 Comments: Mixed at Oceanway, Los Angeles. |
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Over You Date Performance: 2002, Running Time: 4:37 Comments: Mixed at Soundtrack Studios, NYC. |
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Lucky Kid Date Performance: 2002, Running Time: 4:02 Comments: Mixed at Soundtrack Studios, NYC. |
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Diamond Road Date Performance: 2002, Running Time: 4:09 Comments: Mixed at Soundtrack Studios, NYC. Japanese CD issue mistakenly omits Stevie from the liner notes for this performance. |
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It's Only Love Date Performance: 2002, Running Time: 5:05 Comments: Mixed at Soundtrack Studios, NYC. |
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Abilene Date Performance: 2002, Running Time: 4:05 Comments: Mixed at Soundtrack Studios, NYC. |
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Hole In My Pocket Date Performance: 2002, Running Time: 4:35 Comments: Mixed at Soundtrack Studios, NYC. |
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Weather Channel Date Performance: 2002, Running Time: 4:40 Comments: Mixed at Soundtrack Studios, NYC. |
Bonus Tracks Only On Import Versions Of Album: |
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Missing Date Performance: 2002, Running Time: 4:25 Comments: Only on UK/Japan versions of album |
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I Want You Date Performance: 2002, Running Time: 4:53 Comments: Only on UK/Japan versions of album |
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You're Not The One Date Performance: 2002, Running Time: 4:06 Comments: Only available on Japan version of album |
Guest Appearances » |
Rena Andoh, Jeff Anthony, Lynn Bechtold, Charlie Bisharat, Jim Bogios, Doyle Bramhall, II, Matt(hew) Brubeck, Lenny Castro, Keefus Ciancia, Karen Crow, Hatalie Cummins, Joe Deninzon, Joel Derouin, Mike Elizondo, Dave(y) Faragher, Brandon Fields, Matt Funes, Berg/Berj Garabedian, David Gold, Gary Grant, Doug Grean, Joyce Hammann, Emmylou Harris, Don Henley, Jerry Hey, Jill Jaffe, Brad Jones, Steve(n) Jordan, Suzy/Suzie Katayama, Julia Kent, Michelle Kinney, Lenny Kravitz, Ron Lawrence, Brian S. MacLeod/McCleod, Natalie Maines, Wendy Melvoin, Stevie Nicks, Gwyneth Paltrow, Paul Peabody, Shawn Pelton, Liz Phair, Matthew Pierce, Lorenza/Lorenzo Ponce, Bill Reichenbach/Reichenback, Michel(l)e Richards, Craig Ross, Jane Scarpantoni, Debra Schufelt, John (M.) Shanks, Antoine Silverman, Tim Smith, Dan Smith, Jeremy Stacey, Rudy/Rudi Stein, Pete(r) Stroud, Marti Sweet, Hiroko Taguchi, Ben(mont) (M.) Tench(, III), Jeff Trott, Soozie Tyrell, Joan Wasser, Evan Wilson, Lyle Workman, (David) Garo Yellin
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Released » |
2002-04-16
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Format » |
Domestic Vinyl/CD Album
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Other Appearances » |
Sheryl Crow (Songwriter), Marty/Marti(n) (Harold) Frederiksen (Songwriter), Stevie Nicks (Songwriter), John (M.) Shanks (Songwriter), Pete(r) Stroud (Songwriter), Jeff Trott (Songwriter), Jeri Heiden (Art Direction), Jeri Heiden (Design), Glen Nakasako (Design), Stephen (Scooter) Weintraub (Executive Producer), Jerry Hey (Horn Arrangement), Chris Hudson (Production Coordinator), Pam Wertheimer (Production Coordinator), Sheryl Crow (Produced By), John (M.) Shanks (Produced By), Jeff Trott (Produced By), Ryan Castle (Second Engineer), Ross Peterson (Second Engineer), Chris Reynolds (Second Engineer), Leslie Richter (Second Engineer), John Saylor (Second Engineer), Keith Shortreed (Second Engineer), Stephen (Scooter) Weintraub (Management), Pam Wertheimer (Management), Trina Shoemaker (Recorded By), Jack Joseph Puig (Mixed By), Andy Wallace (Mixed By), Howie Weinberg (Mastered By), Matt(hew) Brubeck (String Arrangement), Mitchell Froom(e) (String Arrangement), Lorenza/Lorenzo Ponce (String Arrangement), Jeremy Stacey (String Arrangement), Eric Tew (Recording Assisted By), Roger Lian (Digital Editing By), Steve Sisco (Mixing Assisted By), Joe Zook (Mixing Assisted By), Jeff Anthony (Drum Programming), Keith Schreiner (Drum Programming), Jeff Trott (Drum Programming), Sheryl Nields (Photographer), Jeremy Stacey (Drums Programming), Joel Derouin (Concertmaster), Antoine Silverman (Concertmaster), Scott (Richard) Weiland (Kline) (Additional Production In Bridge), Suzy/Suzie Katayama (Contractor), Doug Grean (Additional Production), Dean Basskerville (Engineering), Monique Mizrahi (Engineering), Thom Panunzio (Engineering), Brian S(c)heuble (Engineering), Chris Show (Engineering), Pete(r) Stroud (Engineering), Mark Valentine (Engineering), Shari Sutcliffe (Contracts) |
Record Label » |
A&M |
Catalogue Number » |
069493260-2 (US)
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Running Time » |
56:40 (US)
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Liner Notes » |
Recorded at Sunset Sound, Los Angeles/Clinton Recording, New York/Avatar, New York/Oceanway, Nashville/Emerald Studios, Nashville/Black Apple Studios, Portland/Henson Studios, Los Angeles/Funny Bunny Studios, London/Sound Factory, Los Angeles/The Living Room, Los Angeles.
Mastered & Digital Editing at Masterdisk, New York.
This album was a three year labor of love.
There are many people I must thank so please bear with me.
Thank you so much to my family for supporting me emotionally through the making of this record.
I could never have made this album without the dedication and talent of Trina Shoemaker and Eric Tew, There is no better team around and I will never be able to thank you enough.
Thanks and love to my management team Scooter and Pam for your faith and patience. I don't tell you enough how much I appreciate you both.
My deepest gratitude to Tim Smith, Peter Stroud, Jeremy Stacey, Rick Rubin, Mike Elizondo, Doug Grean, Monique Mizrahi and Jeff Trott for really hanging in there with me.
I don't know what to say about Stevie Nicks so I'll just say I love you dearly.
Big thanks to Jimmy Iovine for your belief in me and your great producer ears.
Chris Hudson and Nannette D'aquila. I don't know what I'd do without you.
Thanks to all those at A&M/Interscope Records: Ron Fair, David Cohen, Steve Burton, Martin Kierszenbaum, Kathy Angstadt, Dave Tomberlin, Brenda Romano, Paul Kremem, Rand Hoffman, Courtney Holt, Jason McGuire, Ginger Ramsey, Michelle Thomas, David Saslo, Wendy Diplock, Lyn Weiner.
Special thanks to Keith Richards, Lenny Kravitz, Emmylou Harris, Natalie Maines, Don Henley, Steve Earle, Gwyneth Paltrow, Kid Rock, Craig Ross, Doyle Bramhall II, Liz Phair, Brian Schuebel (sic).
Thank you to my Provident team: Bill Vuylsteke and Barbara Barbour, Jay Cooper, Rose Scaraglino, John Marx, Judy Stakee, Warner/Chappell, Pam Adams, Jeri Heiden and Smog, Mark Dowley, John Hayes and American Express, Peter Shapiro, Everyone at Shine in NY, Matt Brubeck, Lorenza Ponce, Matt Wells, Allyn Dotson, Adam Orth, Wendy Melvoin, Mitchell Froom, Benmont Tench, Michael Rothman, Wayne Isaak, Mike Rowe, Jim Bogios, Seth Rudman, Scott Weiland, Rob Winnik, Sherry Eiden, Carrie Goldman, Chris Skane, Lynn Killops, Nancy Ryder, Abdi Assadi.
Thank you: Joe Ryan at Rock-It Cargo, Skip (In Memory) and Lee at Mets, LA; Jimmy Archy and Lou Vito at Gibson, Rosie at SST, NY; Lisa Matthews at Sunset Sound, Bill Foley at Clinton Studios, Brian Higgins at Upstaging, Sharon Corbitt at Oceanway, Nashville; Tino Passante at Avatar Studios, Allan Sides, Will Brewer, Tom Schindler, Mark Scheider, Jeff Thompson, Chris Rich and Travis Millner at Soundtrack NY, Jamie Hince at Funny Bunny Studios, London, Jenn Quinn at Masterdisk.
My touring road crew: Chris Hudson, Chris Fussell, Paul Guthrie, Andy Wolf, Rick Purcell, Tim Solyan, Jason Stockwell, Geno Salerno, David Eisenhauer.
Emmylou Harris appears courtesy of Nonesuch Records.
Stevie Nicks appears courtesy of Reprise Records.
Natalie Maines appears courtesy of Monument Records.
Lenny Kravitz appears courtesy of Virgin Records.
Don Henley appears courtesy of Warner Bros. Records.
Liz Phair appears courtesy of Capitol Records.
(R) (P) (C) 2002 A&M Records. A division of UMG Recordings, Inc.
All rights reserved. Unauthorized duplication is a violation of applicable laws.
Vienam Veterans of America Foundation
www.sherylcrow.com
www.amrecords.com
www.vvaf.org
Compact Disc Digital Audio
Japan Issue Notes:
Universal International, A Universal Music Company. Marketed by Victor Entertainment, Inc.
Made in Japan.
Stereo KY
Jasdac
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Reviews » |
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Add your review here.
C'mon Sheryl, pick the best songs! Review written by John Fitzgerald, December 14th, 2004 I admire Crow for TRYING to create an all out rock and roll record here as to me it sounds stripped down in comparison to some of her other outings (though it could just be that it's been a while since I've heard the others) but after hearing some of the "bonus" tracks on the singles and the Japanese version of the "C'mon c'mon" album, one feels that perhaps she should have just picked the best MATERIAL for this release as it seems clear to me that some of those "left overs" are of stronger quality that those on the "bare" album. Most obviously, "You're not the one", which must have come more from the Nicks pen than Crow's. There are not as much guitars on this song compared to most others on the album with the exception of the signature acoustic riffs that just sound "very Stevie-esque" on the verses and at the beginning. You can hear Stevie best on this track compared to the other 2 on the album she's on, those being the title track, which oddly sounds at the beginning like the opening to some earlier Rod Stewart solo material on Mercury Records but when it kicks in, it's good stuff, with a catchy hook. SN can be heard but it does sound a little smoothed over on the mix to even the two girls vox's out when you're trying to listen out for it specifically though she's brought in with more prominence nicely as the choruses multiply. The third tune with Stevie is "Diamond road" which has a medium rock sound for the album with a better than average hook but this is the number you hear Nicks on the least I think. In fact, the liner notes to the Japanese version of the album omit Stevie's name from the credits for this song but it is the same recording that is on all other versions of the album and she is credited on the US copies of the album as being on this song. The other 2 "extra" tracks on the elongated version of the album from the far east also show their superior quality to those that made the "final" cut. "Missing" has the most "pop" feeling out of all of the tracks with few guitars again, but has a nice mid slow tempo with a slight soul feel and the climbing chorus sections of the track work best of all and "I want you" is a searing rocker with a little let up on the verses which does work pretty good but I'm guessing it was nixed due to the tinny sound throughout the track that they may have felt as though needed some work. As for the "rest" of the album (itself), this is where we run in to some problems though not without it's goodies such as the lead off single (which was obviously made with this objective in mind with it's smoother feel than most of the other upbeat tracks on the disc) "Soak up the sun" which is probably the closest thing to pop on the "actual" album which naturally has a good hook that gives you a feeling you've heard it before somewhere but you can't quite place it. "Abilene" has an opening Stones type riff (which may make you feel like you've been here before with the start of Crow's "My favorite mistake") but it's one of her best songs. With a great hook, this mid to up tempo tune may seem typical of Crow's material but it still works. The "closing" cut "Weather channel" is a homespun acoustic piece which is one of the best on offer overall, recalling mellower moments on the "Tuesday night music club" album and she's joined nicely on harmonies by Emmylou Harris. There really should've been more tracks like this available to us on "C'mon c'mon". Now, the downside. The opener "Steve McQueen" (predictably) tries to be a rebellious rocking dedication of a three minute anthem to the late great actor but the problem is, it lacks a good hook, Steve deserves better! "You're an original" has a grabbing opening riff but a fair hook, it's pretty much what you'd expect from a Crow track with few surprises. "Safe and sound" is reminiscent of "Home" from her selftitled 1996 tunestack which does have nice acoustic verse parts but the growling guitars on the chorus are intrusive. "It's so easy" is a duet with Don Henley which has a nice jingle to it but slightly misses the mark overall, oddly, she reminds me of Susanna Hoffs of Bangles at the beginning but that wears off after a few seconds. The punchy rock riffs of "Over you" almost pull it through but hurts from a poor hook again. "Lucky kid" is a bubblegum styled stomper which has a fair but somewhat tired hook. Strangely, Sheryl's own version of "It's only love" reminds me of Joan Osborne's "One of us" at the beginning, overall though, it about breaks even with Stevie's "Trouble in Shangri-La" version but perhaps has the slight advantage due to Crow suiting her own material better and "Hole in my pocket" is an up tempo number which is better than some I suppose but it's pretty predictable. So, I guess this falls in to a gray area of if you're getting the extended version of "C'mon c'mon" then on a good day, it would seem like a "four star" disc but as per the "song selection reasons" stated above, I would say the US version of the album rates a three (unless you can track down a UK "Soak up the sun" CD single to serve as an accompaniment which may make things a little sweeter).
Comments » |
"You're Not The One" is NOT available on the US copies of this album. It is only available on the Japanese version of the album & as a bonus track on the UK CD single for "Soak Up The Sun".
Brian MacLeod is incorrectly spelled "Brian McCleod" in the CD liner notes.
Charlie Bisharat is incorrectly spelled "Charlie Bishart" under the "Weather Channel" performance notes. It is spelled correctly in the "It's So Easy" performance notes.
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Last Modified » |
2010-08-24 |
Tracklisting » |
Discography entry submitted by Marty Adelson. |
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