Tracks recorded at LOUD Recording, Nashville, TN
Additional recording at LOUD Recording, Music Mill and Javelina Recording Studio, Nashville, TN
Mixed at LOUD Recording, Nashville, TN
Mastered at Georgetown Masters, Nashville. TN
A BIG HUG
To my family of friends at Giant Records for their continued support!
Abbe Nameche for managing to get us all at one place at one time with one purpose in mind.
Michelle Payne for keeping her ear to the ground.
Anna Mitchell for New Orleans.
Chuck Rhodes, Eric Marshall, Gary Greenberg, David Berry, Raymond Hicks for the many miles we’ve been and the many miles ahead.
Rick Moxley, Jay Brooks and Scott Douglas for coming to the party.
Rob Sides for platinum plus
To Susan Markheim for “the world”.
Tammy Laker and Jerad Sloan for their smiling faces.
Doug Rich for his escort service.
Bob Baker for joining the family.
Irving Azoff for Giant Records.
Nick Hunter for going the extra inning.
Especially to James Stroud for having fun and getting it done! For his lasting friendship and uncompromising belief in me and my songs, thanks.
A BIG LOUD THANKS
To Allison Bown for keeping me in hot water.
To Julian King for the endless hours and the muskrat we devoured
To Mark Hagen for the curbside service.
To Lynn Peterzell for a LOUD recording.
A BIG KISS
To my baby for the rollin’ thunder
To Rafe VanHoy for making me start thinkin' again.
To Big Al Anderson for being so willing to give it to me.
To Bobby Braddock for the child in the rain.
To Billy Burnette for the sweet southern nights.
To Mary Ann Kennedy and Kye Fleming for helpig me to break these chains and be all that I am.
To all the musicians for going for it and gettin’ it.
To Dony “Boo Don” Wynn and Greg “Poot” Foresman for 1993 and beyond.
Chari “Butterbean” Pirtle for sapphires, diamonds, rubies, Cadillacs, and push-up bras.
To Manny Yanes, John Hall and Frank Michaels for hoppin’ on the bandwagon.
To Howard (HoJo) Jones and all the rest of my road crew.
Especially to BURT STEIN for his continued guidance, vision and friendship. And for “keepin' his eye on the tractor” (this could be the year for John Deere)
A SPECIAL THANKS
To John Schillaci for helping hoe the row.
To Lisa “Lyte” Jenkins for dotting the tee’s and crossing the eyes.
To John Mason for reading between the lines.
To Evelyn Shriver, Susan Nadler, Wes Vause, Regina Stephens and Melissa Mathews for talkin' it up.
To John Lloyd Miller and my friends at Scene Three.
To Bob Kruzen for home taping.
To Virginia Team for a great eye and a big heart.
To Ron Keith for the magic moments in time.
To Jerry Joyner for his artistic touch and Libby Joiner for being part of “the team”.
To Bret Lopez and Mimi DeBlasio for the visions of velvet.
To Khadie Mirian for the paint, the powder and the red wrench.
To Roy Parkhurst and Sharon J. Halladay for having the will to hike the hill.
To Mary Gordon for keeping me balanced.
To Alene Jackson for being “a doll”.
To Maryanna Gordon for makin’ the scene.
To Eleanor Handlan for the hot properties.
To Claudia Edwards Severs for the Pro Motion.
To Harley, my new best friend.
To my sweet family in Memphis for their continuous loving support.
Mother, Daddy, Nancy, Geoff, Brittany, Judy, Bill, Shane, Bonnie - I love you all!
Thanks to God the light within us all who makes us one.
Love Always, Biscuit
Mary Ann Kennedy appears courtesy of Pangea/I.R.S. Records
Fan Club:
Deborah Allen’s Front Row Friends
P.O. Box 120849
Nashville, TN 37212
(C) 1994 Made in U.S.A.
Giant Records (Giant logo is a trademark of Giant Records)
1514 South Street
Nashville, TN 37212
8900 Wilshire Blvd., Suite 200
Beverly Hills, CA (9)0211-1906
Manuafactured exclusively by Warner Bros. Records Inc., a Time Warner Company.
Mfg.by WEA Manufacturing
All Rights Reserved.
Unauthorized duplication is a violation of applicable laws.
Compact Disc Digital Audio
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All That I Am (1994) - 