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Rock, Rhythm & Blues - Various Artists


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Rock, Rhythm & Blues (1989) - Various Artists


    Featuring »

Cheryl Bentyne, El(dra) (Patrick) DeBarge, Tim Hauser, Howard Hewett, Rick James (Ambrose Johnson, Jr.), Elton John (Reginald Dwight), Chaka Khan (Yvette Marie Stevens), Michael M(a)cDonald, Christine McVie, Alan Paul, Anita Pointer, Ruth Pointer, June Pointer-Whitmore, Janis Siegel, The Manhattan Transfer, The Pointer Sisters, Randy Travis

    Tracklisting »

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I'm Ready (Willing And Able)
  Date Performance: 1989, Running Time: 3:09
  Comments: by Elton John. Billed as "I'm Ready". "Let's Have A Party" outro written by Jessie Mae Robinson, published by Gladys Music/Intersong-USA, Inc. ASCAP Remixed at Studio 55.
This Magic Moment
  Date Performance: 1989
  Comments: by Rick James. Part 1 of "This Magic Moment/Dance With Me". Total running time of track is 4:01 Remixed at Schnee Studio.
Dance With Me
  Date Performance: 1989
  Comments: by Rick James. Part 2 of "This Magic Moment/Dance With Me". Total running time of track is 4:01 Remixed at Schnee Studio.
For Your Precious Love
  Date Performance: 1989, Running Time: 4:10
  Comments: by Michael McDonald. Remixed at Studio 55.
Fever
  Date Performance: 1989, Running Time: 4:24
  Comments: by Chaka Khan. Remixed at Studio 55.
The Ten Commandments Of Love
  Date Performance: 1989, Running Time: 3:47
  Comments: by Howard Hewett. Remixed at Studio 55.
I Wanna Be Your Girl
  Date Performance: 1989, Running Time: 3:42
  Comments: by The Manhatten Transfer. Remixed at Studio 55.
It's Just A Matter Of Time
  Date Performance: 1989, Running Time: 3:54
  Comments: by Randy Travis. Remixed at Studio 55. Eddie Bayers incorrectly spelled in CD liner notes as "Baers".
Mr. Lee
  Date Performance: 1989, Running Time: 3:39
  Comments: by The Pointer Sisters. Remixed at Conway Recorders.
Dance With Me Henry
  Date Performance: 1989, Running Time: 3:44
  Comments: by Christine McVie & Friends. Billed as "Roll With Me Henry". Remixed at Studio 55.
Goodnight My Love
  Date Performance: 1989, Running Time: 4:38
  Comments: by El DeBarge. Remixed at Schnee Studio.
    Guest Appearances »

John Barnes, Eddie Bayers, Alex(andra) Brown, Jack Bruno, Billy Burnette, Larry Byrom/Byrum/Byron, Carl Carwell, Dave/David (Bubba) Chamberlain, Tony Coleman, Jody Cortez, Richard Cottrell, Beverly Dahlke-Smith, Mick Fleetwood, Eric Gale, Roy Galloway, Steve Gibson, Jim(my) Gilstrap, Armand Grimaldi, Doyle Grisham, Dan(n) Huff, James Ingram, John Barlow Jarvis, Larry/Lawrence A. Klein, Steve Lindsey, Kevin James McCormick, John McVie, Bob Mithoff, Tom(my) Morgan, David Pack, Dean Parks, Phil Perry, Richard Perry, Jerry Peterson, Jeff(rey) Porcaro, (Earl) Lon Price, Peter Rafelson, Howie Rice, Jim(my) Roberts, Greg(ory) (H.) Smith, Lee Thornburg/Thornberg/Thomberg, John Van Tongeren, Rick Vito, Waddy (Robert) Wachtel, Greg Walker, Fred White, Larry (Lawrence Lowell) William(s), John C. Williams

    Released »

1989-05-02

    Format »

Domestic Vinyl/CD Album

    Other Appearances »
Hank Ballard (John H. Kendricks) (Songwriter), Richard Barrett (Songwriter), Brook Benton (Songwriter), Sylvester Bradford (Songwriter), Arthur Brooks (Songwriter), Richard Brooks (Songwriter), Jerry Butler (Songwriter), Eddie Cooley (Songwriter), John Davenport (Songwriter), Heather Dixon (Songwriter), Fats (Antoine Dominique) Domino(, Jr.) (Songwriter), Helen Gathers (Songwriter), Belford Hendricks (Songwriter), Etta (Peaches) James (Songwriter), Louis Lebish (Songwriter), Jerry Leiber (Songwriter), Morris Levy (Songwriter), Al Lewis (Songwriter), John Marascalco (Songwriter), George Motola (Songwriter), Irving Nahan (Songwriter), Clyde Otis (Songwriter), Johnny Otis (Veliotes) (Songwriter), Marshall Paul (Songwriter), Doc Pomus (Jerome Solon Felder) (Songwriter), Jannie Pought (Songwriter), Emma Pought (Songwriter), Jessie Mae Robinson (Songwriter), Mort Shuman (Songwriter), Mike Stoller (Songwriter), George Treadwell (Songwriter), Laura Webb (Songwriter), Michael Brooks (Associate Producer), Steve Lindsey (Associate Producer), Peter Rafelson (Associate Producer), Richard Perry (Produced By), Ted Blaisdell (Engineered By), Joe Bogan/Bogen (Engineered By), Michael Brooks (Engineered By), Francis Buckley (Engineered By), Richard Cottrell (Engineered By), Paul Ericksen (Engineered By), Greg Laney (Engineered By), Michael Mancini (Engineered By), Bill Schnee (Engineered By), David Schober (Engineered By), Ernie Sheesley (Engineered By), Ted Blaisdell (Second Engineer), Ric Butz (Second Engineer), Mario Caldato, Jr. (Second Engineer), Ron DiSilvio (Second Engineer), Ken Felton (Second Engineer), Al Flemming (Second Engineer), Larry Goodwin (Second Engineer), Rob Harvey (Second Engineer), Jared Held (Second Engineer), Robin Lain(e) (Second Engineer), Jay Lean (Second Engineer), Richard McKernan (Second Engineer), Kraig Miller (Second Engineer), Gary Paczosa (Second Engineer), Richard Piatt (Second Engineer), Neil Pogue (Second Engineer), Joe Shay (Second Engineer), Bart Stevens (Second Engineer), Mick Guzauski (Remixed By), Greg Laney (Remixed By), Dan Marnian/Marnien (Remixed By), Bill Schnee (Remixed By), David Schober (Remixed By), Stephen/Steve Marcussen (Mastered By), Steve Lindsey (Strings Arranged By), Gene Page (Strings Arranged By), Lee Thornburg/Thornberg/Thomberg (Horns Arranged By), Gene Page (Strings Conducted By), Cheryl Bentyne (Vocal Arrangement By), Cheryl Bentyne (Vocal Arrangement By), Tim Hauser (Vocal Arrangement By), Tim Hauser (Vocal Arrangement By), Alan Paul (Vocal Arrangement By), Alan Paul (Vocal Arrangement By), Janis Siegel (Vocal Arrangement By), Janis Siegel (Vocal Arrangement By), The Manhattan Transfer (Vocal Arrangement By), Steve Lindsey (Rhythm Arrangement By), Richard Perry (Rhythm Arrangement By), Steve Lindsey (Synth String Arrangement By)

    Record Label »
Warner Bros. Records

    Catalogue Number »

7599-25817-1 (LP) 9 25817-2 (CD) 25817-4 (Cassette)

    Running Time »

39:31

    Liner Notes »

Mastered at Precision Lacquer

Recorded at: Studio 55, Schnee Studio, Studio Masters, Neighborhood Recording Studios, Steve Lindsey Studio, Cherokee, Nightingale Studios Nashville, Rafelson Recording, Devonshire Recording Studios, Skip Saylor Recording, Music Grinder, Bob Mithoff Studios, Image Recorders, Entourage, Oceanway, Studio Ultimo and Hit City West

RICHARD PERRY'S SPECIAL THANKS:

FIRST I WOULD LIKE TO THANK MO OSTIN FOR HIS FAITH AND BELIEF IN GIVING ME THE OPPORTUNITY TO MAKE THIS ALBUM.

NEXT, TO THE GREATEST EXECUTIVE TEAM I'VE EVER WORKED WITH: LENNY WARONKER, MICHAEL OSTIN, BENNY MEDINA, JOHN BEUG, RUSS THYRET AND SEYMOUR STEIN-EACH OF WHOM HAVE CONTRIBUTED MIGHTILY TO THIS PROJECT.

MOST IMPORTANTLY, TO ALL THE ARTISTS WHO GENEROUSLY GAVE OF THEIR TIME AND TALENT, ALL FOR THEIR LOVE OF THE MUSIC. THIS IS YOUR ALBUM AND I AM PROUD AND GRATEFUL FOR YOUR PARTICIPATION; YOU MADE THIS DREAM A REALITY. AND TO ELTON JOHN, I WILL ALWAYS BE ESPECIALLY THANKFUL TO YOU FOR BEING THE FIRST ARTIST TO COMMIT TO THIS ALBUM.

FINALLY, TO ALL THE MUSICIANS AND ENGINEERS, THANK YOU FOR YOUR TIRELESS EFFORTS AND CREATIVE CONTRIBUTIONS. AND A SPECIAL THANKS TO STEVE LINDSEY, GREG LANEY AND STEPHEN MARCUSSEN WHO HUNG IN THERE WITH ME THROUGH THICK AND THIN UNTIL THE FINAL NOTES WERE DOWN.

This Album Is Dedicated To The Spirit And Memory Of Alan Freed And George Goldner.

Elton John appears courtesy of MCA Records, Inc.
The Manhattan Transfer appear courtesy of Atlantic Recording Corp.
Howard Hewett appears courtesy of Elektra Records
Pointer Sisters appear courtesy of RCA Records
El DeBarge appears courtesy of Motown Records

Jeffrey Porcaro appears courtesy of Columbia Records
Dann Huff appears courtesy of A&M Records
Eric Gale appears courtesy of Artful Balance Records

Steve Lindsey uses Kurzweil, BBE and Forat F-16 drum sampler

The music on this Compact Digital Disc was originally recorded on analog equipment. We have attempted to preserve, as closely as possible, the sound of the original recording, because of it’s high resolution, however, the compact disc can reveal limitations of the source tape.

The Compact Disc Digital Audio System offers the best possible sound reproduction-on a small, convenient disc. It's remarkable performance is the result of a unique combination of digital storage and laser optics. For best results, you should apply the same care In storing and handling the Compact Disc as with conventional records. No cleaning is necessary if the Compact Disc is always held by the edges and is replaced in its case directly after playing. If the Compact Disc become soiled by fingerprints, dust or dirt, it can be wiped (always in a straight line, from center to edge) with a clean and lint-free soft, dry cloth. Never use a solvent or abrasive cleaner to clean the disc. If you follow these suggestions, the Compact Disc will provide a lifetime of listening enjoyment.

(P) (C) 1989 Warner Bros. Records Inc. for the U.S. (and WEA International Inc. for the world outside of the U.S.), a Warner Communications Company

All Rights Reserved. Unauthorized duplication is a violation of applicable laws.

Printed in U.S.A.

Mfg. by WEA Manufacturing

Compact Disc Digital Audio

0 759 1

    Reviews »
Add your review here.

4/5.04/5.04/5.04/5.04/5.0
Roll & dance with (almost) the Mac
Review written by John Fitzgerald, September 5th, 2004

The main positive factor here is Christine's (and of course with her Mac friends) "Roll with me Henry" which really does make this album worthwhile on it's own. Richard Perry's bright production really brings out the best in all the Mac members here (the "Behind the mask" lineup sans Nicks), it shows the promise the BTM band had to offer and I think he really should've been considered as a candidate to produce FM even if it meant that they had to wait for him to be available but unfortunately it was not to be. However, this is a must hear as Billy & Christine chirp in great lead vocals, the horns are not too intrusive, Mick & John keep the groove pumping and Rick chucks in a great solo. You may remember this song done by Etta James as "The wallflower (Dance with me Henry)" as many FM fans will recall it from the "Back to the future" soundtrack album if not from it's origins. The rest is a mixed bag, mostly because of the wrong choice of performer for certain songs (in my opinion) but the tracks here do mostly stand up well musically, the one that does not here though is Rick James' go at the "This magic moment/Dance with me" medley as it tries to be faithful but it's use of 80's style instrumentation make it end up sounding like a run of the mill movie soundtrack song. Elton John's opening run through of the old boogie standard "I'm ready" has a barrelhouse feel with endless piano rolls and stabbing guitar pokes, Michael McDonald's "For your precious love" is a passable slow dancer while Howard Hewett's "The ten commandments of love" is not unlike the McDonald cut but not as good due to Hewett's facelessness. The horn arrangement on Chaka Khan's try at "Fever" sounds to me like something Rick Vito would appreciate going by some of his more horn orientated rockers he has done on some of his solo outings and The Manhattan Transfer are all over the doo wop of "I wanna be your girl", now THAT WAS an inspired artist choice. The so-so fast pep of The Pointer Sisters' "Mr. Lee" does steal a little thunder from the McVie & Friends great rocking shuffle mentioned above when listened to altogether but you'll probably wind up mainly listening to the CM & Friends track on it's own anyways. Randy Travis' "It's just a matter of time" can't decide if it wants to be a country croon or a stroll and speaking of strolls, though I'm not big on El DeBarge, his take on "Goodnight my love" is an admittedly fitting closer. "Roll with me Henry" does stand head and shoulders above the rest here, not that I'm biased or anything though!

    Last Modified »
2011-03-20
    Tracklisting »
Discography entry submitted by Mary Anne.