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Hank Thompson And Friends - Hank Thompson


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Hank Thompson And Friends (1997) - Hank Thompson


    Featuring »

Hank Thompson

    Tracklisting »

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Six Pack To Go
  Date Performance: 1996-09-00, Running Time: 2:11
  Comments: Duet with Vince Gill (appears courtesy of MCA Nashville, a division of MCA Records, Inc.) Recorded & mixed at Sound Emporium, Nashville. Track recorded Sept. 25, 1996 - 7PM. Vocals recorded Sept. 27, 1996 - 8PM. Special thanks to: MCA Nashville, Tony Brown, Katie Gillon, Jill Burgeson and Rene White, Fitzgerald-Hartley, Larry Fitzgerald. "Vince Gill was the first artist to record with me on this project. We refer to him as 'the flag ship' and it is fitting and proper that 'Six Pack' be the first number on this album. I had not thought about this song for him, but Vince specifically requested to do it. He said that when he was a youngster, he and his older brother used to sing the song and do a little dance to it. Vince and his now deceased brother were very close, and 'Six Pack' has a very sentimental meaning to him for that reason. As a result this recording has a heartfelt significance to all of us involved in this project." - Hank Thompson... July 1997
Get The Hell Out Of Dodge
  Date Performance: 1996-11-00, Running Time: 3:15
  Comments: Duet with David Ball (appears courtesy of Warner Bros. Records, Inc.) Recorded & mixed at Sound Emporium, Nashville. Track recorded Nov. 6, 1996 - 7PM. Vocals recorded Nov. 7, 1996 - 2PM. Special thanks to: Warner Bros. Records, Jim Ed Norman, Eddie Reeves and Ray Gonzales, Dan Goodman Mngt. Dan Goodman and Rob Hensen. "There are always unexpected pluses to things we do. Little happenings aside from the main purpose. Such was the case of meeting David Ball and establishing a new friendship. I admire his work, and what a pleasure to record with him. David brought the song 'Dodge' to the studio, written by his late friend and bandmate Walter Hyatt. 'Uncle Walt,' as he was known, met his untimely demise in the ValuJet crash in Florida. We feel as though this great song, 'Get The Hell Out Of Dodge,' will perpetuate his memory for years to come." - Hank Thompson... July 1997
Gotta' Sell Them Chickens
  Date Performance: 1997-03-00, Running Time: 2:57
  Comments: Duet with Junior Brown (appears courtesy of Curb Records, Inc.) Recorded at Curb Studio, Nashville. Overdubs recorded at October Studio, Nashville. Mixed at Sound Emporium, Nashville. Track & vocals recorded March 4, 1997 - 8PM. Overdubs recorded March 8, 1997 - 2PM. Special thanks to: MCA/Curb, Mike Curb and Dennis Hannon, FCC mngt. Frank Callari, Lisa Jenkins and John Leal. "Junior Brown is an anomaly in today's Country Music which is sadly lacking in humor. His singing, Gut Steel playing and songs are a welcome carry back to an era of indentifiable styles and a lot of lyrics that made you chuckle and laugh. When I wrote 'Chickens', Junior came to mind as the logical partner to do the song woith me." - Hank Thompson... July 1997
I Picked A San Antonio Rose
  Date Performance: 1996-09-28, Running Time: 3:29
  Comments: Duet with Bekka Bramlett (appears courtesy of Almo Sounds, Inc.) Recorded & mixed at Sound Emporium, Nashville. Track recorded Sept. 26, 1996 - 2PM. Vocals recorded Sept. 28, 1996 - 2PM. Overdubs recorded Dec. 18, 1996 - 2PM. Special thanks to: Almo Sounds-Garth Fundis, Juanita Duthie and Robin Zaremski, Avalon Entertainment-Karen Kane and Mark Oswald, Barbwire Productions and Jere Hall regarding Leonardo "Flaco" Jimenez. "Bekka Bramlett was recording in the studio at Sound Emporium while we were in the other room. She came into the control booth to listen while we were cutting 'I Picked A San Antonio Rose.' She got carried away with the rhythm and said 'I'd really like to sing on this number!' Bill Millet, our producer said, 'well, go in there in the booth with Hank...' I had never met Bekka and was not familiar with her work. However, when she started singing, I knew I had a winner. This charming young lady is the daughter of Delaney & Bonnie who also appear on this album." - Hank Thompson... July 1997
Sobering Up
  Date Performance: 1996-09-00, Running Time: 2:29
  Comments: Recorded & mixed at Sound Emporium, Nashville. Track recorded Sept. 25, 1996 - 2PM. Lead vocal recorded Sept. 27, 1996 - 2PM. Background vocals recorded Dec. 16, 1996 - 2PM. Hank Thompson appears courtesy of Prosperity Special, Inc. Special thanks to: PSI, Warren Kice, Bill Millet, D.D. Bray, Frank Jaques and Ruth Felger. "Well, we were in the Bahamas and enjoying some refreshing rum drinks when we noticed the bottle was empty... the last one. Somebody said, 'horrors! we'd better get to the store in a hurry, we run the risk of sobering up.' We all got to giggling and then idea stuck with me. Some time later, I wrote the song. Everyone did sober up so I had to do this one by myself!" - Hank Thompson... July 1997
Green Light
  Date Performance: 1997, Running Time: 2:16
  Comments: Duet with Marty Stuart (appears courtesy of MCA Nashville, a division of MCA Records, Inc.) Recorded & mixed at Sound Emporium, Nashville. Track & vocals recorded Nov. 6, 1996 - 7PM. Vocal & overdubs recorded Jan. 9, 1997 - 7PM. Special thanks to: MCA Nashville - Tony Brown, Katie Gillon, Jill Bergeson and Rene White; MS Tours - Bonnie Garner and maria Elena Orbea. "Everyone is familiar with the showmanship and musicianship of Marty Stuart. What many do not know is that Marty is one of the foremost historians of Country Music and has a tremendous collection of costumes, musical instruments and other relics of the past. When he accepted my invitation to join him on this album, it was only natural that he chose one of my hits from the early years, 'Green Light.' His vocalizing and mandolin picking added a new zest to this old favorite of mine, not to mention the fact that he managed to abscond with a pair of my vintage 'Nudie' stage trousers for his collection." - Hank Thompson... July 1997
I'll Still Be Here Tomorrow
  Date Performance: 1996, Running Time: 2:45
  Comments: Recorded & mixed at Sound Emporium, Nashville. Track & vocal recorded Nov. 6, 1996 - 7PM. Back-up vocals recorded Dec. 16, 1996 - 2PM. Hank Thompson appears courtesy of Prosperity Special, Inc. Special thanks to: PSI, Warren Kice, Bill Millet, D.D. Bray, Frank Jaques and Ruth Felger. "Bill Mack and I have been good friends for about as long as both of us have been in the music business. We've had the pleasure of working together on radio, television, cruises and various other functions. I always wanted to record his composition, 'Drinking Champagne.' It seems like every time I'd start to do it, somebody else would come out with a version. I never had a shot at 'Blue,' but could not have done that one justice anyhow. When Bill sent me 'I'll Still Be Here Tomorrow' and said that he had written it just for me back in the 50s, I had to agree after hearing it. I guess that's why I kept it all to myself on this record!" - Hank Thompson... July 1997
Hooked On Honky Tonk
  Date Performance: 1996, Running Time: 3:02
  Comments: Duet with Brooks & Dunn (appear courtesy of Arista Records, Inc.) Recorded & mixed at Sound Emporium, Nashville. Track recorded Nov. 5, 1996 - 2PM. Vocals recorded Dec. 17, 1996 - 8PM. Special thanks to: Arista Nashville - Tim DuBois and Page Kelley; Titley-Spalding Mngt. - Bob Titley and Clarence Spalding; B&D Mngt. - Melanie Robertson and Trisha Bullard. "I first heard 'Hooked On Honky Tonk' performed by the writer Wylie Gustafson (who goes by an easier name to remember, 'Wylie & The Wild West Show') at a club on lower Broadway in Nashville. Bill Millet wanted me to record it. Although I had done some similar type material before, I did not feel I could render a suitable job with it. Bill said, 'what if Brooks & Dunn helped you out on it?' I said, 'now that would be a different story!' What I didn't know at the time was that Ronnie (Dunn) and Kix (Brooks) had already selected 'Hooked On Honky Tonk' to sing with me on this record, out of several songs Bill had sent to them for consideration. Ronnie and Kix came to the recording session direct from a stint in Las Vegas, and spent over three hours on that song - what hard workers and perfectionists! No wonder they're the premier stars of today's Country Music. And what a privilege to record with such nice and talented people." - Hank Thompson... July 1997
Hey George, Hey Hank
  Date Performance: 1997, Running Time: 2:45
  Comments: Duet with George Jones (appears courtesy of MCA Nashville, a division of MCA Records, Inc.) Produced by Bi/6 - 12 noon. Special thanks to: MCA Nashville - Tony Brown, Katie Gillon, Jill Burgeson and Rene White. George Jones Mngt. - Nancy Jones. "George Jones and I have been friends for many years and, of course, I'm one among his legion of fans. A good many years ago, George and I were among a group of stars doing the Wembley Festival outside of London, England and staying at a big hotel there. A bunch of us got together around the piano in the lobby and started singing songs. I would prod George's memory on the old tunes by saying, 'Hey George, do you remember this one?' I'd start out and then he'd join in. I couldn't come up with one he didn't know. We had great fun doing this recording, but we kept drifting back to old stories. I think we wound up with more 'Hey George' and 'Hey Hank' tales of the past than music." - Hank Thompson... July 1997
Total Strangers
  Date Performance: 1997, Running Time: 2:26
  Comments: Duet with Lyle Lovett (appears courtesy of Curb/MCA). Recorded & mixed at Sound Emporium, Nashville. Overdubs at Masterfonics, Nashville. Track & vocals recorded Nov. 6, 1996 - 7PM. Vocal overdubs recorded Jan. 23, 1997 - 11AM. Special thanks to: Curb/MCA - David Kronemyer, John Nemoy and Claudia La Rose, Gold Mtn. Mngt. - Tim Bernett and Jill Durden. "Lyle Lovett is a unique artist, a singular style and an easily recognizable voice... a real rarity in today's market. It does not go unappreciated, as evidenced by his huge following and those Grammy Awards! When Lyle expressed his interest in wanting to be a part of this project, I was delighted. However, i was surprised in his choice to do an old song of mine, 'Total Strangers.' I wrote this song based on a hunting incident one time in Wyoming. It's a wordy and difficult number to render, sort of a Country 'rap.' I was not able to be in the studio with Lyle, so I was anxious to hear the result. As expected...... Terrific!" - Hank Thompson... July 1997
The Wild Side Of Life
  Date Performance: 1997-06-11
  Comments: With/Featuring Kitty Wells and Tanya Tucker) Part 1 of the "The Wild Side Of Life/It Wasn't God Who Made Honky Tonk Angels" medley track. Total running time of track is 4:30 Recorded at Dream Street Studio, Nashville. Mixed at Sound Emporium, Nashville. Track & vocals recorded June 11, 1997 - 4PM. Kitty Wells appears courtesy of Wright Enterprises, Inc. Tanya Tucker appears courtesy of Capitol Nashville. Special thanks to: Wright Enterprises - Johnny Wright, Capitol Nashville - Scott Hendricks, Ansel Davis and Kim Stasiack, Tanya Tucker, Inc. - Tanya and Bo Tucker. "Whatever meaningful contributions I may have made to this industry, must pale by comparison to the profound effect of my recording of 'Wild Side Of Life.' Not so much what the song did for me, but that it spawned an answer song (not unusual back then), 'It Wasn't God Who Made Honky Tonk Angels.' It catapulted a relatively unknown young girl vocalist, Kitty Wells, to immortal stardom. Prior to Kitty's emergence, female singers in Country Music (and all other forms as well) had only modest success. It is now academic to say that she paved the road. Kitty cut the ribbon to the freeway for those to come; Patsy Cline, Tammy Wynette, Reba McEntyre, Tanya Tucker and other super stars. Kitty Wells came into the studio and sang her signature song as well, if not better, than she did on the original recording. The clarity and charm of her voice project an exhilaration that is unmistakable. By contrast and compliment, Tanya Tucker added her saucy, and even sassy, retaliation. She put a sting to those lyrics so characteristic of her style and personality. And to think, Kitty and I recorded those songs years before Tanya was born. Who would have thought that someday we would all be here for this historic event. It makes us very proud!" - Hank Thompson... July 1997
It Wasn't God Who Made Honky Tonk Angels
  Date Performance: 1997-06-11
  Comments: With/Featuring Kitty Wells and Tanya Tucker) Part 2 of the "The Wild Side Of Life/It Wasn't God Who Made Honky Tonk Angels" medley track. Total running time of track is 4:30 Recorded at Dream Street Studio, Nashville. Mixed at Sound Emporium, Nashville. Track & vocals recorded June 11, 1997 - 4PM. Kitty Wells appears courtesy of Wright Enterprises, Inc. Tanya Tucker appears courtesy of Capitol Nashville. Special thanks to: Wright Enterprises - Johnny Wright, Capitol Nashville - Scott Hendricks, Ansel Davis and Kim Stasiack, Tanya Tucker, Inc. - Tanya and Bo Tucker. "Whatever meaningful contributions I may have made to this industry, must pale by comparison to the profound effect of my recording of 'Wild Side Of Life.' Not so much what the song did for me, but that it spawned an answer song (not unusual back then), 'It Wasn't God Who Made Honky Tonk Angels.' It catapulted a relatively unknown young girl vocalist, Kitty Wells, to immortal stardom. Prior to Kitty's emergence, female singers in Country Music (and all other forms as well) had only modest success. It is now academic to say that she paved the road. Kitty cut the ribbon to the freeway for those to come; Patsy Cline, Tammy Wynette, Reba McEntyre, Tanya Tucker and other super stars. Kitty Wells came into the studio and sang her signature song as well, if not better, than she did on the original recording. The clarity and charm of her voice project an exhilaration that is unmistakable. By contrast and compliment, Tanya Tucker added her saucy, and even sassy, retaliation. She put a sting to those lyrics so characteristic of her style and personality. And to think, Kitty and I recorded those songs years before Tanya was born. Who would have thought that someday we would all be here for this historic event. It makes us very proud!" - Hank Thompson... July 1997
Dry Bread
  Date Performance: 1997-05-00, Running Time: 3:12
  Comments: With/Featuring Delaney & Bonnie. Recorded at Delaney's Rock N' Roll Ranch, Los Angeles. Mixed at Sentience Studio, Los Angeles. Track recorded May 13, 1997 - 2PM. Vocals recorded May 14, 1997 - 11AM. Special thanks to: Representative Don Williams; Representative Danny Sheridan, PSI - Warren Kice, Frank Jaques and Ruth Felger and Bill Millet. "When you mention 'Delaney, Bonnie & Friends' you immediately think of the blues and rock fans of the 70s. With the help of their daughter Bekka Bramlett and Bill Millet, it was possible to get them back together in a studio after all these years. They chose to do an old traditional Blues song Merle Travis and I did in the 50s on an album called 'Songs For Rounders.' When you listen to this song, 'Dry Bread,' you hear Delaney & Bonnie's interpretive vocals and Delaney's 'bottleneck' dobro guitar. This re-visitation offers a rare oppertunity to once again hear a great act from yesterday. I'm just glad I was there!" - Hank Thompson... July 1997
    Guest Appearances »

David Ball, Eddie Bayers, Ron Blakley, Robert Bowlin, Bekka Bramlett, Delaney Bramlett, Bonnie Bramlett, Delaney Bramlett, Bonnie Bramlett, Thom Bresh, David Briggs, Kix Brooks, Kix Brooks, Brooks & Dunn, Tanya Rae Brown, Junior Brown, Larry Byrom/Byrum/Byron, Kim Carmel/Carmel Bramlett, Jimmy Clark, Billy Contreras, Delaney & Bonnie, Ronnie Dunn, Ronnie Dunn, Bobby Garrett, Vince Gill, Bob Gross, Jeff Gurnsey, Wylie Gustafson, David/Dave Hungate, Flaco (Leonardo) Jimenez, George (Glenn) Jones, Gerald Jones, Mark (T.) Jordan, Randy Kohrs, Steve Layne, Tom Lewis, Lyle Lovett, Bill Millet, Buddy Mohmed, Dennis (W.) Morgan, George Rains, Mark Ralston, Don Randi, David Randi, Hargus (Pig) Robbins, Buddy Spicher, David Spicher, Marty Stuart, Billy Thomas, Tanya Tucker, Pete Wasner, Jay Weaver, Kitty Wells, Rick (Soldier) Will, Reggie Young

    Released »

1997-09-02

    Format »

Domestic Vinyl/CD Album

    Other Appearances »
Arlie A. Carter (Songwriter), James Dean (Songwriter), Wylie Gustafson (Songwriter), Dick Harr (Songwriter), Walter Hyatt (Songwriter), Johnny Lowe (Songwriter), Bill Mack (Songwriter), J(oseph) D. Miller (Songwriter), Alice Randall (Songwriter), Hank Thompson (Songwriter), Merle Travis (Songwriter), William Warren (Songwriter), Michael La Riche (Photography), Frank Lucero (Art Direction), Frank Lucero (Design), Bill Mack (Liner Notes), Bill Millet (Liner Notes), Hank Thompson (Liner Notes), Bill Millet (Produced By), Chuck Ainlay (Engineered By), Chuck Ainlay (Recorded By), Kim Carmel/Carmel Bramlett (Recorded By), Randy Merriman/Merryman (Recorded By), Rick (Soldier) Will (Recorded By), Chuck Ainlay (Mixed By), Leslie Chew (Mixed By), David Kronemyer (Mixed By), Denny Purcell (Mastered By), David Ball (Arranged By), Mark (T.) Jordan (Arranged By), Bill Millet (Arranged By), Hank Thompson (Arranged By), Mark Ralston (2nd Engineer), Matt Andrews (Overdub Engineer), James Bland (Photo By), James Bland (Cover Photography Of Hank Thompson), Sue Austin (Album Design Coordination)

    Record Label »
Curb

    Catalogue Number »

CURCD 051

    Running Time »

34:46

    Liner Notes »

Mastered at Georgetown Masters, Nashville, TN.

I've been a fan of Hank Thompson ever since I heard his first recordings. In other words, I've been a fan of the man ever since I've been involved with Country Music... and that's been a while. Hank Thompson was very much responsible for my entering the Country Music scene. He was one of the first stars was to see "in person" in my hometown of Shamrock, Texas and his style of our music was... and still is... a grade above most of the others.

What I refer to as "The Thompson Touch" has always contained class. His phrasing and deep resonance has always kept him in a special spot all his own. Reason is, no one can duplicate Hank's sound. Many have tried, but none have succeeded in capturing "the soul" of "The Thompson Touch." Hank sings better now than ever, as you will notice in this, his latest album. Every song echos a compliment to our proud industry of Country Music.

My friend, Hank Thompson has received every award possible in our field of music. Now, it's our honor to sit back and relax as we hear a real star in action.

- Bill Mack

(Bill Mack is the legendary "Midnight Cowboy" Disk Jockey on the all night Truckers show on WBAP 820 AM Radio out of Dallas/Fort Worth. Bill is also the songwriter of the mega Country hit "Blue")

Producer's acknowledgement:

Prior to my involvement in this project, which has engulfed much of my life over the past year, first hand knowledge of Hank Thompson was unfortunately limited to his big hits - "Six Pack To Go", "Oklahoma Hills", "The Wild Side Of Life", etc. Of course Hank's name among musically hip baby boomers and gen-xers, has always ranked up there with the other icons of the 40's and 50's - Ernest Tubb, Bob Wills, Tex Ritter, Hank Williams Sr. All were his buddies and contemporaries. However, because Hank dared to defy the Nashville power base by quitting the Grand Ole Opry in the 1950's (one of only a handful brave enough to do so), his significant accomplishments have not been duly noted or promoted nearly as often as the aforementioned. None-the-less, Hank is still very much alive and kicking - writing new songs and playing over 120 concert dates a year - while his buddies are not.

Hank Thompson made not only a significant impact on the Country Music scene from his base of operations in Texas, Oklahoma and California, but along with his then manager Jim Halsey, set the pattern for today's big time music acts in vital areas of marketing, promotion and public relations. The trends and "firsts" Hank Thompson & The Brazos Valley Boys accomplished throughout the 1950s and 60s are staggering, even in today's terms: they were the first act to tour with a sound and lighting system, receive corporate tour sponsorship, record a live album, put on a show in Las Vegas, record in Hi-Fi stereo, perform on a color broadcast of a television variety show; and in the process they sold over 60 million records in the days before Garth Brooks and the cross marketing, media-blitz onslaughts we must now endure. Hank Thompson's catalog of work at Capitol Records during that era is stunning, bolstered no doubt by the fact that he shared the same studios, producers and promotions with his label mates Frank Sinatra and Nat King Cole.

Elvis Presley opened shows for Hank Thompson and actively sought his advise on how to break into the Country Music business, before resigning to the fact that the audiences preferred his renditions of what they used to call "Race Music" (old Blues tunes). Hank and his musical associate, Guitar Legend Merle Travis, were also the early pioneers of what was soon to be called Rock-A-Billy or Rock n' Roll. As part of Hank's show in the late 40s and early 50s, they played tunes they had learned from black street musicians as kids, influencing guys who were picking up Merle's guitar style, like Scotty Moore, Carl Perkins and Bill Haley. But Capitol Records producers at the time refused to let Hank record any of that kind of music, leaving that recorded history to others who would follow.

Nashville eventually forgave Hank Thompson for quitting the Grand Ole Opry, and in 1989 voted him into it's Country Music Hall Of Fame. By then he had also been single-handedly responsible for opening the floodgates for women artists in the music business. Hank's mega hit "The Wild Side Of Life" paved the way for the first million seller record for Kitty Wells, with the answer song "It Wasn't God Who Made Honky Tonk Angels".

But what about Hank Thompson today? In response, I humbly offer you our efforts on this recording, which ranks among Hank's finest work. Indeed, as Bill Mack so aptly put, Hank is singing (and writing) better than he ever has. Compare his character, resonance and tone to some of the best vocalists in the business on this CD or Cassette. It was always so interesting to watch jaded session musicians or one of the Guest Artist's work with Hank in the studio. His John Wayne-like presence was commanding, his music inspirational in it's simplicity... yet so intimidating and complex in tone, density and feel. An aura that definitely brought out one's best. In this era of Retro rage - celebrating Swing, Jazz, Country and Blues, Hank Thompson once again emerges as the undisputed King of Honky Tonk Swing. The Tony Bennett of Cool Classic Country.

Hank Thompson will most likely accomplish another "first" with this new recording... Hank could be the First Artist in Music History to chart a song in the top 100 in Six decades! One of these songs on this CD is guaranteed to break that record. (Shameless plug.) So folks, if you like this recording and hear one of these songs played on your local radio station, please call and request it again. By doing so, you will be a part of making musical history.

BILL MILLET... Hank Thompson "& Friends" CD Producer... August 1997

Career Highlights:

Hank Thompson has sold over 60 million records internationally.
Hank Thompson headlined the first Country Music show to ever play Las Vegas.
Hank Thompson's legendary "Live At The Golden Nugget" was the first Live Country Music Album ever recorded.
Hank Thompson was the first music act to receive corporate tour sponsorship.
Hank Thompson, and his band The Brazos Valley Boys were the first to do a musical show on color television.
Hank Thompson and his band were the first act to tour with a sound and lighting system. Hank put it together from his electronics training and experience at Princeton and later in the Navy.
Hank's band, The Brazos Valley Boys, were voted #1 Country Western Band for 14 years in a row by Billboard Magazine.
Hank Thompson's huge hit, "The Wild Side Of Life" paved the way for the first million selling Country record for a female artist, with the answer song "It Wasn't God Who Made Honky Tonk Angels" by Kitty Wells. Kitty's success directly opened the floodgates for future women artists to claim a share of Music stardom, and it was Hank Thompson's music that set it in motion.
Hank Thompson & The Brazos Valley Boys still perform over 120 dates a year throughout the world.

Special Thanks:

Although acknowledged elsewhere, I would like to extend my gratitude to everyone, and there have been so many, who have been associated with this project. It's inception goes back a lot of years. here were those who wanted to and couldn't, those who tried and failed, those who would have if they knew how. We had moments of encouragement, only to be slapped down with disappointments. It was a tough job, and only through the combined efforts of everyone involved did we prevail.

It was Mike Curb's original suggestion, and his periodic encouragement that kept a flame going. Chuck Ainlay, and his engineering associates, whose superb talents behind the equipment made this the best sounding record I've ever made. There were so many outstanding musicians who enthusiastically contributed their talents and ideas. Of course, I am humbly grateful to all those wonderful celebrities who so amiably joined me to forge these historic recordings. Also, a very warm thanks to their respective record labels and management. In particular, I would especially like to single out the contributions my associate Warren Kice and his wife Elaine put forward to this project. He has been a long time fan and friend of mine since he was a teenager in Oklahoma. Warren put together the business plan for Prosperity Special, Inc. to complete this large scale project with Curb Records. An attorney in Dallas, Warren is also a superb audiophile, and his enthusiasm with the songs and renditions was a welcome encouragement to us all. Thank you again Warren and Elaine Kice.

It became quite evident that any project of this magnatude requires a lot of ingredients, but it takes that certain catalyst to make it come together. That key essential here was our Producer, Bill Millet. Not only his consummate musicianship and recording ability, but I was constantly amazed by his overall knowledge of this complex industry. His dedication to this venture was unshakable, and he relentlessly pursued all avenues to ensure it's completion. He skillfully, tactfully and methodically resolved all the essentials and then fined tuned the details. True, this was a huge group effort. But this project would not have happened without Bill Millet!

- Hank Thompson... July 1997

Special thanks to:

All of the Guest Artists & Musicians on this project, James Bland, Melissa Brannan & The Staff at Sound Emporium, D.D. & Larry Bray, David Briggs, Billy Burnette, Frank Callari, Kim Carmel, Liz Cavanaugh, Don Cobb, Wylie Gustafson, Dennis Hannon, Brad Holliday, Lisa Jenkins, Mark T. Jordan, Becky Judd, David Kronemyer, Bill & Cindy Mack, Billy & Layla Martin, Randy Merriman, Billy & Eden Millet, Jeff Millet, Jon Millet, Mersedeh Millet, Ljubenka Milunovich, Dennis Morgan, Denny Purcell, Mark Ralston, Jonathan Russell, Mario Tarradell, Ann Thompson, Matt Weitz.

For Hank Thompson fan club information and merchandise write or call:
Hank Thompson Fan Club
2000 Vista Road
Roanoke, Texas 76262
U.S.A.
(817) 491-2545

Hank Thompson web site address:
http://www.infocus.com/hank/

For Hank Thompson & The Brazos Valley Boys (with Junior Brown, Bill Millet, Bill Mack, Mark T. Jordan, Robert Bowlin, Dennis Morgan, Jay Weaver, Tom Lewis, Bobby Garrett & Jimmy Clark) concert booking information:
D.D. Bray
Hank Thompson Enterprizes
Office: (817) 491-2545

Hank Thompson public relations and media information:
Rogers & Cowan Public Relations
Attn. Lori Lousararian
1888 Century Park East
Suite 500
Los Angeles, California 90067
(310) 201-8804

Record production and marketing:
Prosperity Special, Inc./Trianon Productions, Inc.
Attn. Bill Millet and Warren Kice
2000 Vista Road
Roanoke, Texas 76262
U.S.A.
Office: (972) 838-4495
EMail: bmilletpsi@aol.com

(P) & (C) 1998 Curb Entertainment International orp under exclusive license to The Hit Label
13 Bramley Road
London
W10 6SP

Unauthorized public performance, broadcasting, copying and rental prohibited. All rights of the manufacturer and of the owner of the recorde work reserved.

Compact Disc Digital Audio

5 024239 9 22

    Reviews »
Add your review here.

3/5.03/5.03/5.03/5.03/5.0
Colorful cast but very specific audience required
Review written by John Fitzgerald, June 2nd, 2005

A good mix of talents appear on this pure solid country duet album. Hank's duet with Bekka "I picked a San Antonio rose" is a fun upbeat number with Bekkas' leads as great as ever. This is the definite highlight for us here for sure. Although there are some other high points on this disc such as "Dry bread" (with Delaney & Bonnie) and the medley of "The wild side of life / It wasn't god who made honky tonk angels" (with Kitty Wells and Tanya Tucker), I think this album is very much an acquired taste for true old time country music aficionados only. It does make one of all ages smile though.

    Last Modified »
2010-11-10
    Tracklisting »
Discography entry submitted by Golf4lynn & Marty Adelson.