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Graham Nash & David Crosby - Graham Nash & David Crosby


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Graham Nash & David Crosby (1972) - Graham Nash & David Crosby


    Featuring »

David Crosby, Graham Nash

    Tracklisting »

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Southbound TrainLyrics available
  Date Performance: 1972, Running Time: 3:54
Whole ClothLyrics available
  Date Performance: 1972, Running Time: 4:35
BlacknotesLyrics available
  Date Performance: 1972, Running Time: 0:58
Strangers RoomLyrics available
  Date Performance: 1972, Running Time: 2:28
Where Will I Be?Lyrics available
  Date Performance: 1972, Running Time: 3:22
Page 43Lyrics available
  Date Performance: 1972, Running Time: 2:56
Frozen SmilesLyrics available
  Date Performance: 1972, Running Time: 2:17
GamesLyrics available
  Date Performance: 1972, Running Time: 4:02
  Comments: The 1998 CD reissue incorrectly lists the writing credit as Graham Nash.
Girl To Be On My MindLyrics available
  Date Performance: 1972, Running Time: 3:27
  Comments: The 1998 CD reissue incorrectly lists the writing credit as David Crosby.
The Wall SongLyrics available
  Date Performance: 1972, Running Time: 4:37
Immigration ManLyrics available
  Date Performance: 1972, Running Time: 3:02
    Guest Appearances »

Dana Africa, John(n)(y) Barbata, Craig Doerge, David Duke, Chris Ethridge, Jerry Garcia, Danny (Kootch) Kortchmar, Bill Kreutzman, Russ(ell) Kunkel, Phil Lesh, Arthur Maebe, Dave Mason, George Price, Greg Reeves, Leland (Lee) Sklar

    Released »

1972-04-05

    Format »

Domestic Vinyl/CD Album

    Other Appearances »
David Crosby (Songwriter), David Crosby (Songwriter), Graham Nash (Songwriter), Graham Nash (Songwriter), Ahmet M. Ertegun (Nugetre) (Liner Notes), Claude Nobs (Liner Notes), David Crosby (Produced By), David Crosby (Produced By), Bill Halverson (Produced By), Graham Nash (Produced By), Graham Nash (Produced By), Bill Halverson (Engineered By), Doc Storch (Engineered By), Artisian Sound (Mastered By), Jean Ristori (Mastered By), Robert Hammer (Photography By), David Geffen (Direction), Elliot Roberts (Direction), Claude Nobs (Re-Release Coordinated By), Thierry Amsallem (Re-Release Coordination Assisted By), Andree Buchler (Re-Release Coordination Assisted By), Urs Tschuppert (Booklet Design By)

    Record Label »
Atlantic

    Catalogue Number »

SD-7220 (LP) SD-7220-2 (CD) CS-7220 (Cassette) 7567-80770-2 ('98 CD Reissue)

    Running Time »

35:40

    Liner Notes »

1998 CD Reissue Liner Notes:

Engineered at Wally Heider III in L.A., "C" in S.F.

To Miss Mitchell

Many thanks to:

Ahmet Ertegun
Val Azzoli
Yves Beauvais
Gigi Gazon
Brian Ranney
Fran Lichtman at Atlantic Recording Corp. in New York

Mastered at Mtx Mastering Studio, St-Legier, Switzerland

Re-releases coordinated at Warner Music Switzerland, Montreux

More re-releases transferred from Analog Source with original LP sound...

CHUCK BERRY - ROCK IT, 7567-80759-2
CACTUS - 'OT 'N' SWEATY, 7567-80764-2
CANNED HEAT - ONE MORE RIVER TO CROSS, 7567-80775-2
JESSE DAVIS - (FEATURES ERIC CLAPTON) - JESSE DAVIS, 7567-80772-2
DARYL HALL & JOHN OATES - WAR BABIES, 7567-80779-2
TIM HARDIN - THIS IS TIM HARDIN, 7567-80780-2
THE RASCALS - ONCE UPON A DREAM, 756780797-2
SONNY & CHER - THE BEAT GOES ON, 7567-80801-2
VANILLA FUDGE - MYSTERY, 7567-80805-2

ATLANTIC RECORDS AND BORDEAUX WINES:

Like great Bordeaux wines, Atlantic LPs have always held a special magic for me: from the front cover, through the liner notes to the wonderful sound engineered by great sound wizards like Tom Dowd (who became also a great producer) and by legendary producers like Ahmet Ertegun, Nesuhi Ertegun and Jerry Wexler, not forgetting Joel Dorn and Arif Mardin.

Nobody would ever think of modifying the label of a great Bordeaux, or of adding sugar, spices, or color to it. Similarly, in preparing these series, we felt it was important to remain faithful to the release's original integrity, reproducing all artwork, liner notes, and the classic Atlantic sound newly remastered for CD.

CLAUDE NOBS

While I was still a student in the late '40s and decided to start a record label, it had been my dream to be able to record some jazz and blues music. I was motivated by my love for the music and eager to make historically important recordings, as well as recordings that people would want to buy.

50 years later, I look back on a career which fortunately includes many historic records, a career I could never have envisioned when I started. Not just in jazz and blues, but in every style of popular music that we have known.

This album is one of 50 titles that are being reissued to commemorate Atlantic's 50th Anniversary, a series that includes some great moments in the history of the label. It has been a wonderfully short and exciting five decades.

AHMET M. ERTEGUN
CO-CHAIRMAN AND FOUNDER
ATLANTIC RECORDS

(C) 1998 Atlantic Recording Corporation for the United States and WEA for the world outside of the United States
1290 Avenue Of The Americas
New York, NY 10104

All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited.

Made in Germany.

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    Reviews »
Add your review here.

4/5.04/5.04/5.04/5.04/5.0
Hole without Stills but still good enough
Review written by John Fitzgerald, March 28th, 2005

"Immigration man" is by far the best track here, it's the most rocking track and the easy choice for the album's single. Dave Mason has lots of great lead guitar fills throughout that track's three minutes, it has a good hook and is entertainingly funny. As for the rest, "Southbound train" is a would be disappointing waltzing country croon but the strong harmonica helps it's homespun feel. "Whole cloth" is a slow suspenseful track with tasty electric piano tinkles but it's hook is not that great. "Blacknotes" is a 58 second Nash vocal and piano doodle (with possibly placed audience cheers), "Strangers room" is a piano chunking shuffler with bright chorus sections, "Where will I be" is a haunting Crosby vocal and acoustic guitar tune and the vocal swells later in the track help it's dramatic feel. Unfortunately, "Page 43" is a forgettable slow dragger though it does have good vocals, piano & guitar touches. "Frozen smiles" is a bouncy chirper that reminds me a little of the fab four's "Octopus garden" but it is original enough to stand on it's own with it's electric piano and harmonica parts being it's highlights. "Games" is a nice sounding tapping ballad builder but it's hook is pretty weak. "Girl to be on my mind" is also a slow to mid tempo bland piece and "The wall song" reminds me slightly of Jefferson Airplane's "Good shepherd" but it's not as good as the Airplane track. In addition, there is a big hole without Stills there (and admittedly, I didn't think there would be one) but this album's strengths help cover that greatly and if nothing else, is worth it for "Immigration man" alone.

    Last Modified »
2010-10-27
    Tracklisting »
Discography entry submitted by Steve MacDougall & Jeff Kenney.