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Legacy...Hymns & Faith - Amy Grant


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Legacy...Hymns & Faith (2002) - Amy Grant


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Amy Grant

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This Is My Father's WorldLyrics available
  Date Performance: 2002, Running Time: 3:05
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
My Jesus, I Love TheeLyrics available
  Date Performance: 2002, Running Time: 3:34
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Softly And TenderlyLyrics available
  Date Performance: 2002, Running Time: 4:03
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
I Need Thee Every HourLyrics available
  Date Performance: 2002
  Comments: Part 1 of the "I Need Thee Every Hour/Nothing But The Blood" track. Total running time of track is 4:42 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Nothing But The BloodLyrics available
  Date Performance: 2002
  Comments: (Duet With Vince Gill) Part 2 of the "I Need Thee Every Hour/Nothing But The Blood" track. Total running time of track is 4:42 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
What You Already OwnLyrics available
  Date Performance: 2002, Running Time: 3:21
It Is Well With My SoulLyrics available
  Date Performance: 2002
  Comments: Part 1 of the "It Is Well With My Soul/The River's Gonna Keep On Rolling" track. Total running time of track is 4:54 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
The River's Gonna Keep On RollingLyrics available
  Date Performance: 2002
  Comments: Part 2 of the "It Is Well With My Soul/The River's Gonna Keep On Rolling" track. Total running time of track is 4:54 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Do You Remember The TimeLyrics available
  Date Performance: 2002, Running Time: 3:51
Fields Of PlentyInstrumental
  Date Performance: 2002
  Comments: Part 1 of the "Fields Of Plenty/Be Still My Soul" track. Total running time of track is 4:36 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Be Still My SoulLyrics available
  Date Performance: 2002
  Comments: Part 2 of the "Fields Of Plenty/Be Still My Soul" track. Total running time of track is 4:36 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
ImagineLyrics available
  Date Performance: 2002
  Comments: Part 1 of the "Imagine/Sing The Wondrous Love Of Jesus" track. Total running time of track is 5:17 Recorded at Air Lyndhurst Studios, London, England
Sing The Wondrous Love Of JesusLyrics available
  Date Performance: 2002
  Comments: Part 2 of the "Imagine/Sing The Wondrous Love Of Jesus" track. Total running time of track is 5:17 Recorded at Air Lyndhurst Studios, London, England
Come, Thou Fount Of Every BlessingLyrics available
  Date Performance: 2002, Running Time: 3:15
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Fairest Lord JesusLyrics available
  Date Performance: 2002, Running Time: 3:15
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Holy, Holy, HolyLyrics available
  Date Performance: 2002, Running Time: 2:26
  Comments: Arrangement © 2002 by Ronn Huff Recordings (adm. by Copyright Management, A Service of MCS Music America, Inc.)/ASCAP
What A Friend We Have In JesusLyrics available
  Date Performance: 2002
  Comments: Part 1 of the "What A Friend We Have In Jesus/Old Rugged Cross/How Great Thou Art" track. Total running time of track is 3:30 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Old Rugged CrossLyrics available
  Date Performance: 2002
  Comments: Part 2 of the "What A Friend We Have In Jesus/Old Rugged Cross/How Great Thou Art" track. Total running time of track is 3:30 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
How Great Thou ArtLyrics available
  Date Performance: 2002
  Comments: Part 3 of the "What A Friend We Have In Jesus/Old Rugged Cross/How Great Thou Art" track. Total running time of track is 3:30 Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP
Marching To ZionLyrics available
  Date Performance: 2002, Running Time: 3:20
  Comments: Arrangement © 2002 by Vinny Mae Music/BMI/Banistuci Music (adm. by The Loving Company)/ASCAP Thank you to the Belmont 70's nostalgic choir.
    Guest Appearances »

Tim Akers, Brown Bannister, Roy Barber, Richard Bennett, Michelle Bentrem, Sterling Bishir, Aerin Bishir, Mike Blanton, Todd Boswell, Bekka Bramlett, Tom Britt, John Catchings, Chad Cromwell, Greg Cutcliff, Eric Darken/Darkin, John Darnall, Beverly Darnall, Carol Davis, Jay Dawson, Stuart/Stewart Duncan, Teresa Ellis, Don Finto, Vince Gill, Burton Grant, Barry Green, Kenny Greenberg, Kathy Harrell, Jan Harris, Chris Harris, Michael/Mike Haynes, Bernie Herms, Jim Hoke, Jim/James R. Horn, Cindy Hudson, John Barlow Jarvis, LeighAnn Jones, Bonnie Keen-King, Gordon Kennedy, Kim Keyes, Alison Krauss, Ginger Lang, Sam(uel B.) Levine, Phyllis Mayfield, Mac McAnally, Dan Needham, Carol Nuismer, Michael Omartian, Carol Pigg, Gary Pigg, Jerry Regan, Michael Rhodes, Rivers Rutherford, Leland (Lee) Sklar, Traci Sterling/Sterling Bishir, The London Session Orchestra, The Nashville String Machine, Billy Thomas, Jerry Verner, Pete Wasner, Biff Watson, Andrea Zonn

    Released »

2002-05-21

    Format »

Domestic Vinyl/CD Album

    Other Appearances »
George Bennard (Songwriter), Richard Bennett (Songwriter), Philip Paul Bliss (Songwriter), Charles Crozat Converse (Songwriter), Maltbie Davenport (Songwriter), William Doane (Songwriter), John Bacchus Dykes (Songwriter), William Ralph Featherston (Songwriter), Vince Gill (Songwriter), Henry Gilmour (Songwriter), Adoniram Judson Gordon (Songwriter), Amy Grant (Songwriter), Annie Sherwood Hawks (Songwriter), Reginald Heber (Songwriter), Eliza Edmunds Hewitt (Songwriter), (Reverend) Stuart K. Hine (Songwriter), William Kirkpatrick (Songwriter), Robert Lowry (Songwriter), Bart Millard (Songwriter), Robert Robinson (Songwriter), Joseph Medlicott Scriven (Songwriter), Franklin L. Sheppard (Songwriter), Jean Silbelius (Songwriter), Horatio Gates Spafford (Songwriter), Keith Thomas (Songwriter), William (Lamartine) Thompson (Songwriter), Katherine Amalia (Dorothea) Von Schlegel (Songwriter), Isaac Watts (Songwriter), Emily Divine Wilson (Songwriter), John Wyeth (Songwriter), Richard Seagraves (Photography), Mike Blanton (Executive Producer), Brown Bannister (Liner Notes), Vince Gill (Liner Notes), Amy Grant (Liner Notes), Traci Sterling/Sterling Bishir (Production Coordinator), Brown Bannister (Produced By), Vince Gill (Produced By), Brown Bannister (Arrangement By), Vince Gill (Arrangement By), Ron(n) Huff (Arrangement By), Steve Bishir (Recorded By), Steve Bishir (Mixed By), Robert Hadley (Mastered By), Doug Sax (Mastered By), Carl Marsh (String Arrangement), Greg Fogie (Recording Assisted By), Hank Nirider (Recording Assisted By), Sang Park (Recording Assisted By), Chris Scherbak (Recording Assisted By), Fred Paragano (Digital Editing By), Greg Fogie (Mixing Assisted By), Hank Nirider (Mixing Assisted By), Sang Park (Mixing Assisted By), Chris Scherbak (Mixing Assisted By), Melanie Shelley (Hair), John Huie (Booking), Sheila Davis (Make-Up), Jim/James R. Horn (Horn Arrangement By), Ken Carpenter (DVD Produced By), Ken Carpenter (DVD Directed By), Jennifer Cooke (DVD Executive Producer), Gabe Vasquez (DVD Executive Producer), Blanton Harrell Cooke & Corzine (Exclusive Management), Astrid Herbold May (Art Direction (Photoshoot)), Astrid Herbold May (Design (Photoshoot)), Katherine Petillo (Art Direction (Designer)), Katherine Petillo (Design (Designer)), Kevin Tucker (Art Direction (Cover)), Kevin Tucker (Design (Cover)), Susan Browne (Art Direction (Package)), Susan Browne (Design (Package)), Kara Irvine (Wardrobe Styling), Lars Nordensten (Wardrobe Styling), Jeph Foster (London Sessions Orchestra Recorded By), Carl Marsh (London Sessions Orchestra Conducted By), Michelle Bentrem (Production Coordination Assisted By)

    Record Label »
A&M/Interscope

    Catalogue Number »

0694933160

    Running Time »

53.17

    Liner Notes »

Recorded at East Iris Studio (Nashville, TN), The Parlor (Nashville, TN), and Oceanway Studios (Nashville, TN). Mixed at The Parlor.

The London Sessions Orchestra recorded at Air Lyndhurst (London, England).

Mastered at The Mastering Lab, Hollywood, CA.

"What a wonderful experience making this record. To take these great old hymns with the lyrical depth and the legacy of inspiration was truly an honor...it was like working with old friends. Speaking of working with old friends, I want to thank Amy especially for allowing me to be in the trenches with her so many times over the last 25 years; it was a joy as always...the laughter and the tears were sweet. Thanks to my new friend, Vince, for your role in bringing fresh perspective to these old standards. You are a consummate musician and I am glad to call you a friend. Thanks to all of the musicians for breathing new life into these gems of antiquity. Thanks to Steve, Hank and Traci for being willing to do something we have never done before - a record from inception to final mastering in 29 days! I hope all who listen are touched by this rich heritage that great men and women of faith have passed down to us."

Brown Bannister

"To be asked to contribute to this record was a humbling spiritual gift. I received so much more than I gave. To my old musical friends, thanks for always inspiring me. And to my new friends, Brown, Steve, Hank and Traci, the future looks pretty sweet not to mention the tortilla soup yet to be enjoyed. And lastly to my precious bride, Amy, thank you for your faith. I saw God in every note you sang, every smile you smiled and in every tear you shed making this record. You are rare and your faith in me gives me peace. I love you so.

Vince

SPECIAL ?THANKS

I cannot remember a time when I was so profoundly affected by the making of a record. These songs are so much a part of my childhood that they inhabit a layer of muscle memory that goes beyond words. As I was singing The Old Rugged Cross, I thoughr I could smell my great grandmother's powdery, perfumed, paper thin skin... and the sensory memory brought me to tears... Her alto voice singing "How Great Thou Art" beside my 4 year old self is my earliest sonic memory.

I'd like to thank Michael Blanton for his idea to commemorate twenty five years of recording by celebrating my roots.

I'd like to celebrate the reunion of my beloved friends and managers: Michael Blanton, Dan Harrell, Jennifer Cooke and Chaz Corzine.

It is in the context of family and friends that each of us lives out our faith, and so I'd like to mention a few by name, and the rest in my heart, as a way of saying Thank you, it's been an amazing joumey....and the best is yet to come: My Mom and Dad...Gloria and Burton Grant, My sisters and their families: Kathy and Dan, Mimi and Jerry, Carol and Jack, Logan, Grant, Burton, Grace, Caroline and Brian, Mimi, Katie, Michael, Elizabeth, Claire, Sally Anne, and Jacksoo. My children: Matt, Millie, Sarah and Corrina...and my inherited daughter Jenny. My cousin Glenda. My new family: Jerene, Gina and Richard, and Andy. My friends and coworkers: Beverly Darnall, Deanna Hemby, Phyllis Mayfield, Mike and LeighAnn Jones, John Huie, Susan Browne, Dawn Mosely, Traci and Steve Bishir, Hank Nirider, Richard Curtis, Lori Loving, Ken Kraus, and Keith Thomas.

I'd like to thank Ronn Huff for two decades of inspired arrangements.

I'd like to thank my producers separately. Brown Bannister, thank you for being a part of my musical expression from the beginning. I counted on our shared heritage to communicate these songs that have so profoundly shaped our lives. Vince, thank you for sharing your God-given gifts with me to help breathe new life into these songs that have shaped me. I love you and I'm glad we got to share this.

I'd like to dedicate this album to my parents, Burton and Gloria Grant...who provided me with such a rich heritage....and to my great grandmother, Lillie Armstrong Burton, "GreatMimi" (1886-1981) who loved these hymns dearly.

Amy Grant

Stuart Duncan appears courtesy of Rounder Records.
Vince Gill appears courtesy of MCA Nashville.
Alison Krauss appears courtesy of Rounder Records.

Exclusive Management:

Blanton Harrell Cooke & Corzine
5300 Virginia Way, Suite 100
Brentwood, TN 37027

For more information about Amy Grant visit our website www.amrecords.com and www.amygrant.com

(P) (C) 2002 A&M Records
2220 Colorado Ave.
Santa Monica, CA 90404

Manufactured and distributed in the United States by Universal Music & Video Distribution, Copr.

All rights reserved.

Printed in the USA

WARNING: Unauthorized reproduction & duplication of this recording is a violation of applicable laws, is prohibited by federal law and is subject to criminal prosecution.

6 3

BONUS DVD NOTES:

(P) (C) 2002 Word Entertainment/A&M Records

    Reviews »
Add your review here.

4/5.04/5.04/5.04/5.04/5.0
Works, though back to roots idea isn't original
Review written by John Fitzgerald, March 10th, 2005

It could just be that I am not as familiar with Grant's more recent works but as I understand that the way in which Grant now attempts to "please both crowds (Gospel & pop)" is by releasing a more "traditional" album and then a "pop" one, instead of trying to do both on one album. This being the case, "Legacy...hymns & faith", is very good and true. It kind of harkens back to some of Amy's earliest outings with an intimate setting such as the two "In concert" volumes, especially on the acoustic numbers such as on tracks like "Fields of plenty/Be still my soul" whereas the first part is an instrumental acoustic guitar piece and then the guitar is accompanied by vocals and some light fiddle on the latter section which works well, it does get in to a "preach/talk" feel halfway in but it doesn't hurt the ambiance of the track. As for the other "multi part" tracks, "I need thee every hour/Nothing but the blood" is the one that has Bekka on it and she can be heard well on the second part (with some others) and this part of the song is given a slow country type tempo and it works extremely well. The first part is a pretty vocal and light electric guitar flavor, expertly handled. "It is well with my soul/The river's gonna keep on rolling" starts with a piano & vocal only arrangement and then goes in to a nice electric piano and
guitar with brushes feel, this also clicks. "Imagine/Sing the wondrous love of Jesus" has bongo type rhythms and is an acoustic guitar & vocal builder with strings & electric guitar and then we end with an echoy piano & vocal arrangement, this also works good though the second part is preferable to the first. However, considering there are three parts to "What a friend we have in Jesus/Old rugged cross/How great thou art" this "medley" sounds bland in comparison as they seem to have chosen to have the piano, vocal & light electric guitar arrangement woven in with the lyrics to all three tunes, you end up expecting more than what this one actually delivers. The rest of the album does work for the most part to pull it through though. "This is my fathers world" is a pleasant mid tempo number with light electric guitar & piano which compliment each other. Z"My Jesus I love thee" features a fast strumming mandolin sound while "Softly and tenderly" is better here than it was on Rebecca Lynn Howard's recent outing "Forgive" (though it does work on both albums, it's got the edge here) with it's cool echoy electric guitars and piano, it's a nice atmospheric piece. "What you already own" is a mid to slow paced song with electric guitar fills and light acoustic guitar strumming. "Do you remember the time" is a mid tempo clave & acoustic guitar tale that also has some surprising harmonica intertwined within the mix. "Come, thou fount of every blessing" has a slow country type tempo but interestingly still has that echoy electric guitar sound on it (which was not expected) though the acoustic guitar features more throughout the track. "Fairest lord Jesus" is
another strumming builder, it's fairly fast but strangely they've used the guitars for the heavy rhythms here more so that instruments one would think they would use for rhythms. "Holy, holy, holy" features a Spanish acoustic guitar sound and strings and the closing "Marching to Zion" is a choral type jig with bagpipes and marching style drums (which one would expect from such a tune). Overall, this is an effective sounding record and some editions of the CD come with a "bonus" DVD with a half hour documentary on the making of the album which is quite interesting once you get to know the songs, (though unfortunately there is no Bekka involvement in that film), this is still a nice addition to the CD rack.

    Last Modified »
2010-12-13
    Tracklisting »
Discography entry submitted by Marty Adelson.